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Humanities Division

The Humanities Division is one of four academic divisions in the University of Oxford, bringing together the faculties of Classics; English; History; Linguistics, Philology and Phonetics; Medieval and Modern Languages; Music; Oriental Studies; Philosophy; and Theology, as well as the Ruskin School of Drawing and Fine Art.
The Division offers world-class teaching and research, backed by the superb resources of the University’s libraries and museums, including the famous Bodleian Library, with its 11 million volumes and priceless early book and manuscript collections, and the Ashmolean Museum of Art and Archaeology. Such historic resources are linked to cutting-edge agendas in research and teaching, with an increasing emphasis on interdisciplinary study. Our faculties are among the largest in the world, enabling Oxford to offer an education in Arts and Humanities unparalleled in its range of subjects, from music and fine art to ancient and modern languages.

Series associated with Humanities Division

"British" World War One Poetry: An Introduction
'Magic and the Sense of Place' Conference
2013 Carnegie-Uehiro-Oxford Ethics Conference: Happiness and Well-Being
A Writer's War
Accelerating AI Ethics
Aesthetics and Philosophy of Art lectures
African(a) and South Asian Philosophies
Alan Turing on Computability and Intelligence
Alliance
Ancient Egyptian Poetry
Ancient History HT2015: Digital Classics
Approaching Shakespeare
Art Across the Black Diaspora: Visualizing Slavery in America
Art and Action: The Intersections of Literary Celebrity and Politics
Bio-Ethics Bites
Broadcast Media
Buddhist Studies at Oxford
Cantemir Institute
Censorship in Literature in South Africa
Centre for the Study of the Book
Challenging the Canon
Chaucer for Beginners
Cultural Connections: exchanging knowledge and widening participation in the Humanities
D.H. Lawrence
David Hume (2018)
Death at the Museum
Digital Humanities at Oxford Summer School
Diplomacy and culture at the Ottoman Court
Diseases in Dialogue
Edward Lear's Feelings
Elgar’s The Dream of Gerontius: A Story in Five Places
English at Oxford
English Graduate Conference 2012
Ethics in AI
Euthydemus - Platonic Dialogue
Exploring Humanities - The Ertegun Scholarship Programme
Faculty of Classics
Faculty of English - Introductions
Faculty of Medieval and Modern Languages
Fantasy Literature
Folk Tunes and Englishness
From Conscience to Robots: Practical Ethics Workshops
Gender and Authority
General Linguistics Seminar
General Philosophy
General Philosophy (2018)
George Eliot
Global and Imperial History Research Seminar
Global Poverty: Philosophical Questions
Globalising and Localising the Great War seminar series, 2016-2017
Great Writers Inspire
Great Writers Inspire at Home
Greece in Crisis: Culture, Identity, Politics
Hensley Henson Lectures 2018 - Thomas Cromwell: Enterprising Reformation
Hensley Henson Lectures 2019 Art, Craft and Theology: Making Good Words
History Faculty
History of Art Radio Hour
History of Art: Careers in Arts and Heritage
History of Art: Slade Lecture Series
History of Art: Special Lectures and Research Seminars
History of Art: Terra Foundation Lecture Series in American Art
History of Art: Undergraduate Course Lectures
History of the Eighteenth Century in Ten Poems
How Epidemics End
Humanitas - Visiting Professorships at the Universities of Oxford and Cambridge
Hume's Central Principles
Ian Ramsey Centre for Science and Religion
Ian Ramsey Centre: The Deist Controversy
Ian Ramsey Centre: The Great Debate
Indian Traces in Oxford
Institute for Visual Research
Interviews on Great Writers
Interviews with Philosophers
Introducing the Qur'an
Introduction to David Hume's Treatise of Human Nature Book One
Is the playwright dead?
John Locke Lectures in Philosophy
Journal of Practical Ethics
Kant's Critique of Pure Reason
Kristin Scott Thomas Reads Kafka
La Bella Principessa: A Leonardo Discovered
Leonard Woolf's The Village in the Jungle (1913): A Day Symposium
Les Liaisons dangereuses in 5x5
Literature and Form
Literature, Art and Oxford
Literature, democracy and transitional justice
Medea, a performance history: APGRD eBooks
Medieval English
Medieval German Studies
Mesoamerican Manuscripts
Metaphor: Philosophical Issues
Modern Fairies
Modern Languages Inaugural lectures
MOVING, TEACHING, INSPIRING: The National Trust and University of Oxford in the 21st Century
MSt English Language
Musical Abstracts
Narrative Futures
Nietzsche on Mind and Nature
Not Shakespeare: Elizabethan and Jacobean Popular Theatre
Oriental Institute
Origins of Nature
Oscar Wilde
Oxford German Exchange Series on Brexit
Oxford Humanities - Research Showcase: Global Exploration, Innovation and Influence
Oxford Spanish Literature Podcast
Oxford Writers' House Talks
Perceptions of Inequality: An Interdisciplinary Dialogue
Philosophical perspectives on the causes of mental illness
Philosophy - Ethics of the New Biosciences
Philosophy of Religion
Philosophy Special Lectures
Photo Archives VI: The Place of Photography
Poetry with A.E. Stallings
Poetry with Simon Armitage
Post-Conflict Landscapes
Post-War: Commemoration, Reconstruction, Reconciliation
Power Structuralism in Ancient Ontologies
Practical Ethics Bites
Practice Makes… the Oxford Reimagining Performance Podcast
Professor of Poetry
Promoting Interdisciplinary Engagement in the Digital Humanities
Putting magic in place: a knowledge exchange event
Race and Resistance: Understanding Bermuda Today
Reformation 2017
Regional Classics
Reid's Critique of Hume
Reimagining Ancient Greece and Rome: APGRD Podcast
Reimagining Ancient Greece and Rome: APGRD public lectures
Religious Epistemology, Contextualism, and Pragmatic Encroachment
Renegotiations of History in light of the 'Greek Crisis'
Research Approaches to Former Soviet States: A Practical Introduction
Rethinking Moral Status
Rothermere American Institute
Ruskin School of Art
Russian Ab Initio Students: Pre-Course Listening Material
Sacrifice and Modern Thought
Sade, l'inconnu? Nouvelles approaches critiques
Samuel Johnson
Science and Religious Conflict Conference
Shakespeare's First Folio (ePub format)
Sleep and the Rhythms of Life
Social Media and Faith
Spain: 1959 - 1992
Staging Shakespeare
Staying Alive: Poetry and Crisis
Stories, Spaces and Societies - Globalising and Localising the Great War
Talking Sense
Taylor Lecture
Teaching the Codex
Teaching to Transgress
Textual Therapies
The Beazley Archive - Classical Art Research Centre
The Dragon and The Cross: Christianity in China
The End of Journalism
The English People at War in the Age of Henry VIII
The Fall of the Roman Empire (Bryan Ward-Perkins)
The Global History of Capitalism
The King James Bible Lecture Series
The Many Lives of Benjamin Disraeli
The New Madhyamaka
The Oxford Healthcare Values Partnership
The Oxford Sound Album
The Oxford/Berlin Creative Collaborations
The Pandemic Ethics Accelerator Podcasts
The Remedy
The Value of Humanities
The View from Above: Structure, Emergence, and Causation
The Zaharoff Lecture
Their Finest Hour
Theology Faculty
Thinking Out Loud: leading philosophers discuss topical global issues
Tibetan Graduate Studies Seminar
Tolkien at Oxford
TORCH Post-Show Conversations
TORCH | The Oxford Research Centre in the Humanities
Traces of the White Rose
Transforming Nineteenth-Century Historically Informed Practice
Translation and Medical Humanities
Uehiro Lectures: Practical solutions for ethical challenges
Uehiro Oxford Institute
Unconscious Memory
Unlocking Late Schumann
Valentine's Day at Oxford
Voltaire Foundation
War and Representation
Was there a Russian Enlightenment?
What is Tragedy?
What is Translation?
What next after your PhD? Getting published in journals and getting your first academic job
Women in Oxford's History (Series One)
Women's Responses to the Reformation
Writers in Dialogue
# Episode Title Description People Date
620 Creative Commons A Midsummer Night's Dream This lecture on A Midsummer Night's Dream uses modern and early modern understandings of dreams to uncover a play less concerned with marriage and more with sexual desire. Emma Smith 05 Nov 2012
619 Creative Commons Language and History Prof. Simon Horobin examines how the English language has changed over time, addressing such vexed questions as whether Jane Austen could spell, the fate of the apostrophe and whether people who 'literally' explode with anger are corrupting the language. Simon Horobin 30 Oct 2012
618 Creative Commons Much adoe about Nothing. ePub version of text Much adoe about Nothing. / Shakespeare, William, 1564-1616. William Shakespeare 30 Oct 2012
617 Creative Commons Much Ado About Nothing Emma Smith asks why the characters are so quick to believe the self-proclaimed villain Don John, drawing on gender and performance criticism to think about male bonding, the genre of comedy, and the impulses of modern performance. Emma Smith 30 Oct 2012
616 The Triumph of the Humanities Michael S. Malone, journalist, bestselling author, and one of the world's best known technology writers challenges the notion that the humanities are facing a crisis. Michael S. Malone 25 Oct 2012
615 Creative Commons The Possibility of Religious-Secular Ethical Engagement Debate 1: Abortion The Possibility of Religious-Secular Ethical Engagement: Abortion. Charles Camosy, Julian Savulescu 24 Oct 2012
614 Creative Commons The tragedie of Hamlet, Prince of Denmarke. ePub version of text The tragedie of HAMLET, Prince of Denmarke. / Shakespeare, William, 1564-1616. William Shakespeare 23 Oct 2012
613 Creative Commons Hamlet The fact that father and son share the same name in Hamlet is used to investigate the play's nostalgia, drawing on biographical criticism and the religious and political history of early modern England. Emma Smith 23 Oct 2012
612 Creative Commons As you Like it. ePub version of text As you Like it. / Shakespeare, William, 1564-1616. William Shakespeare 23 Oct 2012
611 Creative Commons As You Like It Asking 'what happens in As You Like It', this lecture considers the play's dramatic structure and its ambiguous use of pastoral, drawing on performance history, genre theory, and eco-critical approaches. Emma Smith 23 Oct 2012
610 Creative Commons The Possibility of Religious-Secular Ethical Engagement Debate 2: Euthanasia The Possibility of Religious-Secular Ethical Engagement: Euthanasia. Charles Camosy, Julian Savulescu 23 Oct 2012
609 Creative Commons Majorities and Minorities in Interwar Timişoara: Between Fictive and Ethnicity and Ideal Nation Professor Victor Neumann (West University of Timisoara) delivers a lecture as part of the East and East-Central Europe Seminar Series at the Cantemir Institute. Victor Neumann 19 Oct 2012
608 Creative Commons Uehiro Seminar: The Ethics of Creating Designer Babies Julian Savulescu believes that if we can genetically alter the next generation, not only should we be free to do so, it may even turn out that in some circumstances we have an obligation to go ahead and do it. Julian Savulescu 18 Oct 2012
607 Creative Commons Kipling, the Elton John of his age? Professor Elleke Boehmer discusses why Kipling's writing, and his poetry of the late nineteenth and early twentieth centuries in particular, launched him to international fame across the British Empire. Elleke Boehmer, Dominic Davies 08 Oct 2012
606 Creative Commons Postcolonial Women Writers Professor Elleke Boehmer notes the distinct lack of women writers on the Post/Colonial Writing page of the Great Writers website, and explores why this is the case. Elleke Boehmer, Dominic Davies 08 Oct 2012
605 Creative Commons Oscar Wilde's Women Sophie Duncan introduces Oscar Wilde by setting him in an accurate historical context. Sophie Duncan 19 Sep 2012
604 Creative Commons Great Writers Inspire Great Writing Alex Pryce considers how writers are readers, influenced and inspired by the works of other writers. Alex Pryce 19 Sep 2012
603 Creative Commons Julian Thompson on Rudyard Kipling Dr Julian Thompson considers a writer described by Kingsley Amis as 'our greatest writer of short stories'. Julian Thompson 19 Sep 2012
602 Creative Commons DH Lawrence: A Postcolonial Writer? Professor Peter McDonald draws on the work of Indian novelist and literary critic, Amit Chaudhuri, to open up new ways of how we can think about D.H. Lawrence, not only as a Modernist, but also as a Post/Colonial writer. Peter McDonald 28 Aug 2012
601 Creative Commons Joseph Conrad and Postcoloniality - Part 2: Heart of Darkness and Lord Jim Professor Peter McDonald talks to Great Writers Inspire about the Post/Colonial aspects of Joseph Conrad's writing. Peter McDonald 28 Aug 2012
600 Creative Commons Joseph Conrad and Postcoloniality - Part 1: Conrad and Chinua Achebe Professor Peter McDonald talks to Great Writers Inspire about the Post/Colonial aspects of Joseph Conrad's writing. In this first part, Peter takes Chinua Achebe's 1975 critique of Conrad as a starting point. Peter McDonald 28 Aug 2012
599 Creative Commons Aime Cesaire and Derek Walcott Jason Allen offers a comparative discussion of two important Caribbean poets and playwrights, Aime Cesaire and Derek Walcott, to emphasize the impact of Caribbean literature upon the postcolonial world. Jason Allen, Dominic Davies 24 Aug 2012
598 Creative Commons The language of Shakespeare Actors and the director talk about how they have approached and worked with their student production of the Shakespeare play - Two Gentlemen of Verona. They discuss some of the challenges of the text and what they have done to overcome these. Kate O'Connor 23 Aug 2012
597 Creative Commons Understanding Shakespeare The actor Nick Lyons talks about the challenge of the language barrier and how he dealt with it for his role in the student production of the Shakespeare play Two Gentlemen of Verona. Nick Lyons 23 Aug 2012
596 Creative Commons Two Gentlemen of Verona: The view from the Director The director talks about how she adapted the script and directed the student Shakespeare production of Two Gentlemen of Verona. She describes what makes the play great, and discusses issues related to editing and direction. Kate O'Connor 23 Aug 2012
595 Creative Commons The Tempest: For you am I this patient log-man The director and actors talk about the log-scene in The Tempest and how they interpret and perform it. Includes scenes from rehearsals and performance. Archie Cornish, Dylan Townley 23 Aug 2012
594 Creative Commons The Tempest: Our revels now are ended The famous Shakespeare scene from The Tempest, performed by actors from an Oxford student drama society. Dylan Townley 23 Aug 2012
593 Creative Commons The Tempest - Our revels now are ended: Conveying Shakespeare's meaning The actor Dylan Townley talks about the language of Shakespeare. He describes how understanding and using the meter can help an actor or reader to bring out the poetry in a text. Includes a scene from The Tempest. Dylan Townley 23 Aug 2012
592 Creative Commons The Tempest: Prospero Actor Dylan Townley talks with director Archie Cornish about the character Prospero. They describe how they have chosen to portray him in this Oxford student performance of The Tempest, and discuss on what they base their interpretation. Archie Cornish, Dylan Townley 23 Aug 2012
591 Creative Commons The Tempest: Direction and interpretation Director Archie Cornish and actor Dylan Townley - Prospero - talk about adapting, directing and performing a student Shakespeare production of The Tempest. Archie Cornish, Dylan Townley 23 Aug 2012
590 Creative Commons Teaching Shakespeare in Schools A teacher talks about how she teaches Shakespeare in school, using video clips and references from contemporary culture to get the students to understand, relate to, and engage with the text. Joyti Chandegra 23 Aug 2012
589 Creative Commons The Tempest - Our revels now are ended: Bringing a scene to Life The director Archie Cornish, and actor Dylan Townley, introduce the Revel speech in The Tempest. They also discuss the context in which it appears. Archie Cornish, Dylan Townley 22 Aug 2012
588 Creative Commons Shakespeare and the Stage Professor Tiffany Stern gives a short talk on William Shakespeare and how his plays were performed in Elizabethan England. Tiffany Stern 22 Aug 2012
587 Creative Commons 8. Conclusion; Scepticism in the Treatise and the Enquiry Eighth and final lecture in Peter Millican's series on David Hume's Central Principles. Peter Millican 14 Aug 2012
586 Creative Commons 7. Scepticism with Regard to Reason, the Soul and the Self Seventh lecture in Peter Millican's series on David Hume's Central Principles. Peter Millican 14 Aug 2012
585 Creative Commons 6. Hume on the External World Sixth lecture in Peter Millican's series on David Hume's Central Principles. Peter Millican 14 Aug 2012
584 Creative Commons 5: Hume on Causal Necessity Fifth lecture in Peter Millican's series on Hume's Central Principles. Peter Millican 14 Aug 2012
583 Creative Commons 4: Hume on Induction Fourth lecture in Peter Millican's series on Hume's Central Principles. Peter Millican 14 Aug 2012
582 Creative Commons 3: Hume's Logic: Relations, and Forms of Argument Third lecture in Peter Millican's series on Hume's Central Principles. Peter Millican 14 Aug 2012
581 Creative Commons 2. Overview, Theory of Ideas, and Faculty Psychology Second lecture in Peter Millican's series on Hume's Central Principles. Peter Millican 14 Aug 2012
580 Creative Commons 1. Historical Background, and His 'Chief Argument' First lecture on David Hume's Central Principles; focusing on the historical background and Hume's Chief Argument. Peter Millican 14 Aug 2012
579 Creative Commons 5. Of the Sceptical and Other Systems of Philosophy Accompanying slides for Lectures 5a to 5c of Peter Millican's series on David Hume's Treatise of Human Nature Book One. Peter Millican 01 Aug 2012
578 Creative Commons 4. Of Knowledge and Probability Accompanying slides for Lectures 4a to 4f of Peter Millican's series on David Hume's Treatise of Human Nature Book One. Peter Millican 01 Aug 2012
577 Creative Commons 3. Abstract Ideas, Space and Time Accompanying slides for Lectures 3a to 3c of Peter Millican's series on David Hume's Treatise of Human Nature Book One. Peter Millican 01 Aug 2012
576 Creative Commons 1. Introduction, Hume's Theory of Ideas and the Faculties Accompanying Slides for Lectures 1a to 1c of Peter Millican's series on David Hume's Treatise on Human Nature Book One. Peter Millican 01 Aug 2012
575 Creative Commons 5c. Of the Ancient and Modern Philosophies Third and Final part of Lecture 5 of Peter Millican's series on David Hume's Treatise on Human Nature Book One. Of the Skeptical and Other Systems of Philosophy. Peter Millican 01 Aug 2012
574 Creative Commons 5b. Of Skepticism with Regard to the Senses Second part of Lecture 5 of Peter Millican's series on David Hume's Treatise on Human Nature Book One. Of the Skeptical and Other Systems of Philosophy. Peter Millican 01 Aug 2012
573 Creative Commons 5a. Of Skepticism with Regard to Reason First part of Lecture 5 of Peter Millican's series on David Hume's Treatise on Human Nature Book One. Of the Skeptical and Other Systems of Philosophy. Peter Millican 01 Aug 2012
572 Creative Commons 4f. The Point of Hume's Analysis of Causation Sixth part of Lecture 4 of Peter Millican's series on David Hume's Treatise on Human Nature Book One. Of Knowledge and Probability. Peter Millican 01 Aug 2012
571 Creative Commons 4e. Understanding Hume on Causation Fifth part of Lecture 4 of Peter Millican's series on David Hume's Treatise on Human Nature Book One. Of Knowledge and Probability. Peter Millican 01 Aug 2012
570 Creative Commons 4d. Of the Necessary Connection Fourth part of Lecture 4 of Peter Millican's series on David Hume's Treatise on Human Nature Book One. Of Knowledge and Probability. Peter Millican 01 Aug 2012
569 Creative Commons 4c. Belief and Probability Third part of Lecture 4 of Peter Millican's series on David Hume's Treatise on Human Nature Book One. Of Knowledge and Probability. Peter Millican 01 Aug 2012
568 Creative Commons 4b. The Argument Concerning Induction Second part of Lecture 4 of Peter Millican's series on David Hume's Treatise on Human Nature Book One. Of Knowledge and Probability. Peter Millican 01 Aug 2012
567 Creative Commons 4a. Relations, and a Detour to the Causal Maxim First part of Lecture 4 of Peter Millican's series on David Hume's Treatise on Human Nature Book One. Of Knowledge and Probability. Peter Millican 01 Aug 2012
566 Creative Commons 3b. Space and Time Second part of Lecture 3 of Peter Millican's series on David Hume's Treatise on Human Nature Book One. Abstract Ideas, Space and Time. Peter Millican 01 Aug 2012
565 Creative Commons 3a. Hume's Theory of General (or Abstract) Ideas First part of Lecture 3 of Peter Millican's series on David Hume's Treatise on Human Nature Book One. Abstract Ideas, Space and Time. Peter Millican 01 Aug 2012
564 Creative Commons 2. Hume's Theory of Relations Lecture 2 of Peter Millican's series on David Hume's Treatise on Human Nature Book One. Peter Millican 01 Aug 2012
563 Creative Commons 1c. Hume's Faculty Psychology Third part of lecture one of Peter Millican's series on David Hume's Treatise on Human Nature Book One. Peter Millican 01 Aug 2012
562 Creative Commons 1b. The Theory of Ideas Second part of lecture one of Peter Millican's series on David Hume's Treatise on Human Nature Book One. Peter Millican 01 Aug 2012
561 Creative Commons 1a. Hume's Theory of Ideas and the Faculties First part of lecture one of Peter Millican's series on David Hume's Treatise on Human Nature Book One. Peter Millican 01 Aug 2012
560 Creative Commons Julian Thompson on Sir Walter Scott Dr Julian Thompson introduces 'the least read great writer in our literature'. He describes the popularly of Walter Scott in his own time and suggests some highlights of the 'living Scots' of his fiction. Julian Thompson 01 Aug 2012
559 Creative Commons Shakespeare and Voice Linda Gates, Professor of Voice at Northwestern University (USA) discusses how Shakespeare's poetry and plays lend themselves to vocal performance by discussing how breath can be used to 'punctuate the thought'. Linda Gates 01 Aug 2012
558 Creative Commons Shakespeare and Voice Linda Gates, Professor of Voice at Northwestern University (USA) discusses how Shakespeare's poetry and plays lend themselves to vocal performance by discussing how breath can be used to 'punctuate the thought'. Linda Gates 01 Aug 2012
557 Creative Commons Experimental Evidence for Morality As Accountability Presentations from an international conference on the normative significance of cognitive science. Hosted by Faculty of Philosophy, University of Oxford July 2012). Stephen Darwall 25 Jul 2012
556 Creative Commons When the mind matters for morality Presentations from an international conference on the normative significance of cognitive science. Hosted by Faculty of Philosophy, University of Oxford July 2012). Liane Young 25 Jul 2012
555 Creative Commons Accepting our natures. When should we accept the ways people tend to behave; when should we aim to change them? Presentations from an international conference on the normative significance of cognitive science. Hosted by Faculty of Philosophy, University of Oxford July 2012). Kwame Anthony Appiah 25 Jul 2012
554 Creative Commons When Can('t) We Trust Our Moral Intuitions in Distributive Cases? Presentations from an international conference on the normative significance of cognitive science. Hosted by Faculty of Philosophy, University of Oxford July 2012). Alex Voorhoeve 25 Jul 2012
553 Creative Commons Science, Responsibility and The Traffic Participation View on Human Agency Presentations from an international conference on the normative significance of cognitive science. Hosted by Faculty of Philosophy, University of Oxford July 2012). Maureen Sie 25 Jul 2012
552 Creative Commons What is a Classic? English Graduate Conference 2012 Panel Debate, Talk 3 Baroness Helena Kennedy QC, draws on her experience as a trustee of the Booker Prize and as a judge for many other literary prizes to offer a response to the question, 'What is a Classic?'. Helena Kennedy 19 Jul 2012
551 Creative Commons What is a Classic? English Graduate Conference 2012 Panel Debate, Talk 3 Baroness Helena Kennedy QC, draws on her experience as a trustee of the Booker Prize and as a judge for many other literary prizes to offer a response to the question, 'What is a Classic?'. Helena Kennedy 19 Jul 2012
550 Creative Commons What is a Classic? English Graduate Conference 2012 Panel Debate, Talk 2 Judith Luna, the Senior Commissioning Editor at Oxford World's Classics, draws on her practical involvement in re-launching the Oxford World's Classics series in 2008 to give a publisher's take on the question, 'What is a Classic?'. Judith Luna 19 Jul 2012
549 Creative Commons What is a Classic? English Graduate Conference 2012 Panel Debate, Talk 2 Judith Luna, the Senior Commissioning Editor at Oxford World's Classics, draws on her practical involvement in re-launching the Oxford World's Classics series in 2008 to give a publisher's take on the question, 'What is a Classic?'. Judith Luna 19 Jul 2012
548 Creative Commons What is a Classic? English Graduate Conference 2012 Panel Debate, Talk 1 Dr Ankhi Mukherjee, Wadham college, Oxford, speaks to the question 'What is a Classic?' by examining the residual influence of the Eurocentric literary canon in the age of world literature and emergent formations of canons and classics. Ankhi Mukherjee 19 Jul 2012
547 Creative Commons What is a Classic? English Graduate Conference 2012 Panel Debate, Talk 1 Dr Ankhi Mukherjee, Wadham college, Oxford, speaks to the question 'What is a Classic?' by examining the residual influence of the Eurocentric literary canon in the age of world literature and emergent formations of canons and classics. Ankhi Mukherjee 19 Jul 2012
546 Creative Commons Shackled by Language: The Representation and Self-Representation of English-Speaking Black Voices in Black Atlantic Writing Cecilia Bennett considers the use of the English language in black Atlantic narratives. Cecilia Bennett 18 Jul 2012
545 Creative Commons Rewriting Jane Eyre: The Avenging 'Angel in the House' in Michael Faber's The Crimson Petal and the White Erin Nyborg draws parallels between Michael Faber's 2002 novel The Crimson Petal and the White and Charlotte Brontë's Jane Eyre. Erin Nyborg 18 Jul 2012
544 Creative Commons Olive Schreiner Dominic Davies talks about Olive Schreiner, the postcolonial South African author, and how her work, The Story of the African Farm, engages with the critical question of European hegemony in literary understanding and expectations of literary works. Dominic Davies 17 Jul 2012
543 Creative Commons 'Some exquisitely-dressed stage favourite': Shakespeare and the suffragettes In this talk, Sophie Duncan examines suffragists' interactions with Shakespeare and his works, as performers, directors, consumers and critics. Sophie Duncan 17 Jul 2012
542 Creative Commons A Discussion of Emily Dickinson's 'I started early, took my dog'. Dr Sally Bayley presents an illuminating reading of Emily Dickinson's 'I started early, took my dog'. In her reading, she seeks out allusions to Shakespearean plays including Hamlet and The Merchant of Venice. She then answers questions about the poem. Sally Bayley 16 Jul 2012
541 Creative Commons SRC Conference 'Reducing Religious Conflict': Round Table Discussion Discussion of key themes emerging from a two-day interdisciplinary conference on reducing religious conflict. Organised by the SRC Project, Faculty of Philosophy, University of Oxford (June 2012). Roger Trigg, Scott Atran, Julian Savulescu 12 Jul 2012
540 Creative Commons How Might Understanding Human Groups Help Address Religious Conflict? Presentations from a two-day international and interdisciplinary conference on the theme of reducing religious conflict. Organised by the SRC Project, Faculty of Philosophy, University of Oxford (June 2012). Paul Troop 12 Jul 2012
539 Creative Commons Local versus Global Dimensions of Religious Violence: The Case of the Caucasus Presentations from a two-day international and interdisciplinary conference on the theme of reducing religious conflict. Organised by the SRC Project, Faculty of Philosophy, University of Oxford (June 2012). Monica Toft 12 Jul 2012
538 Creative Commons Intergroup Contact as a Means of Reducing Religious Conflict: Evidence from Belfast and Oldham Presentations from a two-day international and interdisciplinary conference on the theme of reducing religious conflict. Organised by the SRC Project, Faculty of Philosophy, University of Oxford (June 2012). Miles Hewstone 12 Jul 2012
537 Creative Commons Religion and Religious Conflict: A Secular View Presentations from a two-day international and interdisciplinary conference on the theme of reducing religious conflict. Organised by the SRC Project, Faculty of Philosophy, University of Oxford (June 2012). Julian Savuelscu 12 Jul 2012
536 Creative Commons Civility and Deep Disagreement: Philosophical Reflections on Religious Difference and Public Life Presentations from a two-day international and interdisciplinary conference on the theme of reducing religious conflict. Organised by the SRC Project, Faculty of Philosophy, University of Oxford (June 2012). Tony Coady 12 Jul 2012
535 Creative Commons Religion in Conflict and Peacemaking, with Particular Reference to South Africa Presentations from a two-day international and interdisciplinary conference on the theme of reducing religious conflict. Organised by the SRC Project, Faculty of Philosophy, University of Oxford (June 2012). Liz Carmichael 12 Jul 2012
534 Creative Commons Religious and Sacred Imperatives in Human Conflict Presentations from a two-day international and interdisciplinary conference on the theme of reducing religious conflict. Organised by the SRC Project, Faculty of Philosophy, University of Oxford (June 2012). Scott Atran 12 Jul 2012
533 Creative Commons Can Emotion Regulation Change Political Attitudes in Intractable and Religious Conflict? From the Laboratory to the Field Presentations from a two-day international and interdisciplinary conference on the theme of reducing religious conflict. Organised by the SRC Project, Faculty of Philosophy, University of Oxford (June 2012). Eran Halperin 12 Jul 2012
532 Empire and Globalisation: A Cultural Economy of the British World, 1850 to 1914 - Oxford Transnational and Global History Seminar Andrew Thompson, Prfoessor of Modern History, University of Exeter, gives a talk for the Oxford Transnational and Global History Seminar series. Andrew Thompson 09 Jul 2012
531 Creative Commons Contested Spaces in a Global City: The Changing Religious Landscape of Multicultural London - Oxford Transnational and Global History Seminar Professor John Eade, Roehampton University, gives a talk for the Oxford Transnational and Global History Seminar. John Eade 09 Jul 2012
530 Creative Commons Marxism and the Kemalist 'Sonderweg' (through the eyes of the Turkish Communist poet Nazim Hikmet) Professor Halil Berktay delivers the final lecture in the Trinity term East and East Central Europe Seminar Series. Halil Berktay 28 Jun 2012
529 Creative Commons Transformational Leap as the basic Metaphor of Russian Sonderweg Theories Professor Andrei Zorin presents the third East and East Central Europe seminar lecture for the Cantemir Institute on Thursday 7 June. Andrei Zorin 28 Jun 2012
528 Modernist Writing and Modernist Events: Fictions of Holocaust Often described as one of the most important historical theorists of our times, Hayden White discusses the ethical and aesthetic implications for discourses dealing with the Holocaust, genocide and industrialized death. Hayden White 27 Jun 2012
527 Sabina Murray: Bouncing Across the Plank: Politics, History, and Literary Imagination The Annual Esmond Harmsworth Lecture in American Arts and Letters, given by award-winning Filipina American screenwriter and novelist, Sabina Murray at the Rothermere American Institute on 13th June 2012. Sabina Murray 25 Jun 2012
526 Creative Commons The Romance of the Middle Ages Dr Nicholas Perkins talks about how romance functions as a genre in the middle ages, especially about how gifts and tokens were exchanged as signs of fidelity, specifically in Sir Orfeo, Sir Gawain, and King Horn. Nicholas Perkins 21 Jun 2012
525 Wellcome Lecture in Neuroethics The brain disease model of addiction: Assessing its validity, utility and implications for public policy towards the treatment and prevention of addiction. Wayne Hall 20 Jun 2012
524 Creative Commons Christopher Brown and Malcom Rogers in conversation Malcolm Rogers and Dr Brown, the Director of the Ashmolean Museum, will discuss and compare their experiences of overseeing the extensive renovations of the Ashmolean Museum and the Boston Museum of Fine Arts. Christopher Brown, Malcom Rogers 19 Jun 2012
523 Creative Commons Malcolm Rogers: The Art Museum in the 21st Century Malcolm Rogers (Ann and Graham Gund Director, Museum of Fine Arts, Boston) delivers a lecture as Visiting Professor in Museums Galleries and Libraries. Malcolm Rogers 19 Jun 2012
522 Creative Commons The Holocaust, Narrative and Remembrance - Part Two Part 2/2. Workshop with Prof Dan Stone (RHUL), Paul Salmons (the IOE's Centre for Holocaust Education) and Prof Mark Roseman (Indiana University). Dan Stone, Paul Salmons, Mark Roseman 19 Jun 2012
521 Creative Commons The Holocaust, Narrative and Remembrance - Part One Part 1/2. Workshop with with Prof Dan Stone (RHUL), Paul Salmons (the IOE's Centre for Holocaust Education) and Prof Mark Roseman (Indiana University). Dan Stone, Paul Salmons, Mark Roseman 19 Jun 2012