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An International Symposium funded by the Terra Foundation for American Art and co-organized by the Rothermere American Institute and the Art History Department, University of Oxford and the Department of American and Canadian Studies, University of Nottingham, UK. This event is also made possible due to sponsorship by the Philip Leverhulme Trust.
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| # | Episode Title | Description | People | Date | |
|---|---|---|---|---|---|
| 11 | Special Lecture at Modern Art Oxford: Lost and Found at the Swop Meet: Betye Saar and the Everyday Object | Special Lecture at Modern Art Oxford. Part of the Art Across the Black Diaspora: Visualizing Slavery in America An International Symposium. | Lubaina Himid MBE | 24 Jul 2013 | |
| 10 | Panel 4 Lecture 3 - Guyana, 1763 and 1960: Art, Memory and Modernism | Panel 4 Lecture 3 - African American and Black Diasporic Visual Cultures in Comparative Perspective - Art Across the Black Diaspora: Visualizing Slavery in America An International Symposium. | Leon Wainwright | 24 Jul 2013 | |
| 9 | Panel 4 Lecture 2 - Could the Master's Tools Dismantle the Master's House? | Panel 4 lecture 2 - African American and Black Diasporic Visual Cultures in Comparative Perspective - Art Across the Black Diaspora: Visualizing Slavery in America An International Symposium. | Elvan Zabunyan | 24 Jul 2013 | |
| 8 | Creative Commons | Panel 4 Lecture 1: 'The Greatest Negro Monuments on Earth': Richmond Barthé's Memorials to Toussaint Louverture and Jean-Jacques Dessalines | Panel 4- African American and Black Diasporic Visual Cultures in Comparative Perspective - Art Across the Black Diaspora: Visualizing Slavery in America An International Symposium. | Hannah Durkin | 24 Jul 2013 |
| 7 | Creative Commons | Panel 2 lecture 2 Uncle Tom and the Problem of 'Soft' Resistance to Slavery | Panel 2, Lecture 2 The Histories, Narratives, and Legacies of Transatlantic Slavery - Art Across the Black Diaspora: Visualizing Slavery in America An International Symposium. | David Bindman | 24 Jul 2013 |
| 6 | Panel 2 Lecture 3 The After-Image: Frederick Douglass in Twentieth-Century Black Visual Culture | Panel 2, Lecture 3 - The Histories, Narratives, and Legacies of Transatlantic Slavery - Art Across the Black Diaspora: Visualizing Slavery in America An International Symposium. | Zoe Trodd | 24 Jul 2013 | |
| 5 | Creative Commons | Panel 2 Lecture 1 Slavery, Literature, and the Image of the African American Woman as Public Record | Panel 2, Lecture 1 The Histories, Narratives, and Legacies of Transatlantic Slavery - Art Across the Black Diaspora: Visualizing Slavery in America An International Symposium. | Fionnghuala Sweeney | 24 Jul 2013 |
| 4 | Panel 2 Keynote Lecture - Preserves | Second Keynote lecture for the Art Across the Black Diaspora: Visualizing Slavery in America An International Symposium. | Debra Priestly | 24 Jul 2013 | |
| 3 | Creative Commons | Panel 1 Lecture 3 - Getting into Character: Encounters with 'Tricksterism' in Contemporary Depictions of the American Slave Plantation | Panel 1, Lecture 3 Theorizing Black Diasporic Visual Cultures - Art Across the Black Diaspora: Visualizing Slavery in America An International Symposium. | Keith Piper | 24 Jul 2013 |
| 2 | Creative Commons | Panel 1 Lecture 2 Playing In the Dark (with the Archive): African Atlantic Artists and Radical Interventions | Panel 1, Lecture 2 Theorizing Black Diasporic Visual Cultures - Art Across the Black Diaspora: Visualizing Slavery in America An International Symposium. | Alan Rice | 24 Jul 2013 |
| 1 | Panel 1 Keynote Lecture - What goes without saying | Panel 1, Lecture 1 Theorizing Black Diasporic Visual Cultures - Art Across the Black Diaspora: Visualizing Slavery in America An International Symposium. | Hank Willis Thomas | 24 Jul 2013 |