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92 |
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Al-Mizan: Mapping the Earth in Medieval Islam |
A public lecture by Professor Emilie Savage-Smith, FBA, Emeritus Professor of the History of Islamic Science, University of Oxford. Part of the Al-Mizan exhibition which explores the connections between the sciences and arts in Muslim societies. |
Emilie Savage Smith |
06 Apr 2011 |
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91 |
Creative Commons |
Interview: Peter Scott on Marconi and Radio Manufacturing |
Professor Peter Scott discusses his research into competitive advantage and innovation in the interwar British radio industry using the Marconi Archive, Britain's most extensive and important archive for the radio and related industries. |
Peter Scott, Jim Bennett |
01 Apr 2011 |
|
90 |
Creative Commons |
Radio Manufacturing in the Interwar Years |
Professor Peter Scott (University of Reading) presents the inaugural Douglas Byrne Marconi Lecture based on his research on Marconi and radio manufacturing between the World Wars. |
Peter Scott |
01 Apr 2011 |
|
89 |
Creative Commons |
9. Creativity |
Lesson 8. Invention! |
Stephen Farthing |
24 Mar 2011 |
|
88 |
Creative Commons |
8. Field Notes |
Lesson 7. Strategies for collecting information and recording ideas as an aid to memory. |
Stephen Farthing |
24 Mar 2011 |
|
87 |
Creative Commons |
7. With Colour |
Lesson 6. The most complex form of drawing. Starting with a pencil outline, the drawing is developed with a brush in clearly defined layers. |
Stephen Farthing |
24 Mar 2011 |
|
86 |
Creative Commons |
6. Measured Drawing |
Lesson 5. Making a drawing that is dependent for its success on mathematical accuracy. |
Stephen Farthing |
24 Mar 2011 |
|
85 |
Creative Commons |
5. Making a Livelier Drawing |
Lesson 4. Making a livelier drawing, where the line and tone have an energy because they have been applied at speed with a brush. |
Stephen Farthing |
24 Mar 2011 |
|
84 |
Creative Commons |
4. Toned Paper |
Lesson 3. How toned paper can be used to provide the mid-tone in a drawing, which records where light and shade fall as a means of picturing an object. |
Stephen Farthing |
24 Mar 2011 |
|
83 |
Creative Commons |
3. The Edge of the Pencil |
Lesson 2. We use tone, light, dark and the shades in-between to create illusions of volume and depth. |
Stephen Farthing |
24 Mar 2011 |
|
82 |
Creative Commons |
2. The Tip of the Pencil |
Lesson 1. We use line to define spaces and things. It is not a question of magically getting the line right first time, but of first turning a contour into a line, and then systematically correcting that line until it looks right. |
Stephen Farthing |
24 Mar 2011 |
|
81 |
Creative Commons |
1. Introduction to the Elements of Drawing |
Stephen Farthing R.A. presents eight practical drawing classes using John Ruskin's teaching collections to explain the basic principles of drawing. |
Stephen Farthing |
24 Mar 2011 |
|
80 |
Creative Commons |
Brought to Book: Book History and the Idea of Literature |
Professor Paul Eggert, University of New South Wales, gives the 17th Annual D.F. McKenzie lecture on the subject of books and gives a case study of Henry Lawson, Australian author of Where the Billy Boils. |
Paul Eggert |
09 Mar 2011 |
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79 |
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Using Science to Enhance Root Function in Crops |
Part of the Future of Crops Lecture Series held at the Oxford Botanic Gardens. |
Liam Dolan |
19 Jan 2011 |
|
78 |
Creative Commons |
The OneOak Project:using science and art to revive Britain's wood culture |
Part of the Future of Crops lecture series delivered at the Oxford Botanic Gardens. |
Gabriel Hemery |
19 Jan 2011 |
|
77 |
Creative Commons |
Rice as a crop - a 100 year perspective from 1950 to 2050 |
Part of the Future of Crops lecture series delivered at the Oxford Botanic Gardens. |
Jane Langdale |
19 Jan 2011 |
|
76 |
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The Artemisinin Supply for Malaria Control |
Part of the Healing Power of Plants lecture series given at the Botanic Gardens. |
Dianna Bowles |
21 Dec 2010 |
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75 |
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A Spoonful of Sugar |
Part of the Healing Power of Plants lecture series held at the Botanic Gardens. |
Robert Nash |
21 Dec 2010 |
|
74 |
Creative Commons |
Mary Shelley - Journal of Sorrow |
Part of the Shelley's Ghost Exhibition. In the months immediately following Shelley's death Mary lived at Albaro on the outskirts of Genoa. Her only regular companions were her young son, Percy Florence, and the journal she began on 2 October 1822. |
Nouran Koriem |
02 Dec 2010 |
|
73 |
Creative Commons |
Mary Shelley - Journal of Sorrow |
Part of the Shelley's Ghost Exhibition. In the months immediately following Shelley's death Mary lived at Albaro on the outskirts of Genoa. Her only regular companions were her young son, Percy Florence, and the journal she began on 2 October 1822. |
Nouran Koriem |
02 Dec 2010 |
|
72 |
Creative Commons |
William Godwin- Letter to Mary Shelley |
Part of the Shelley's Ghost Exhibition. This is the letter Godwin wrote to Mary after hearing of Shelley's death. |
Hoare Nairne |
02 Dec 2010 |
|
71 |
Creative Commons |
William Godwin- Letter to Mary Shelley |
Part of the Shelley's Ghost Exhibition. This is the letter Godwin wrote to Mary after hearing of Shelley's death. |
Hoare Nairne |
02 Dec 2010 |
|
70 |
Creative Commons |
Percy Bysshe Shelley - Letter to Mary Shelley |
Part of the Shelley's Ghost Exhibition. 'Everybody is in despair and every thing in confusion' writes Shelley in his last letter to Mary. He was in Pisa to discuss a new journal, The Liberal, with Leigh Hunt and Lord Byron. |
Henry Cockburn |
02 Dec 2010 |
|
69 |
Creative Commons |
Percy Bysshe Shelley - Letter to Mary Shelley |
Part of the Shelley's Ghost Exhibition. 'Everybody is in despair and every thing in confusion' writes Shelley in his last letter to Mary. He was in Pisa to discuss a new journal, The Liberal, with Leigh Hunt and Lord Byron. |
Henry Cockburn |
02 Dec 2010 |
|
68 |
Creative Commons |
Percy Bysshe Shelley - Adonais. An Elegy on the Death of John Keats |
Part of the Shelley's Ghost Exhibition. This great elegy was prompted by the news of the death of John Keats in Rome, and by Shelley's belief that Keats's illness was caused by the hostile notices his work had been given in the Quarterly Review. |
Jordan Saxby |
02 Dec 2010 |
|
67 |
Creative Commons |
Percy Bysshe Shelley - Adonais. An Elegy on the Death of John Keats |
Part of the Shelley's Ghost Exhibition. This great elegy was prompted by the news of the death of John Keats in Rome, and by Shelley's belief that Keats's illness was caused by the hostile notices his work had been given in the Quarterly Review. |
Jordan Saxby |
02 Dec 2010 |
|
66 |
Creative Commons |
Percy Bysshe Shelley - Opening lines of 'The Triumph of Life' |
Part of the Shelley's Ghost Exhibition. Shelley worked on 'The Triumph of Life', a dark and visionary poem, while living at the Villa Magni. |
Hoare Nairne |
02 Dec 2010 |
|
65 |
Creative Commons |
Percy Bysshe Shelley - Opening lines of 'The Triumph of Life' |
Part of the Shelley's Ghost Exhibition. Shelley worked on 'The Triumph of Life', a dark and visionary poem, while living at the Villa Magni. |
Hoare Nairne |
02 Dec 2010 |
|
64 |
Creative Commons |
Percy Bysshe Shelley - Dedication fair copy of 'With a guitar. To Jane' |
Part of the Shelley's Ghost Exhibition. Shelley presented this light-hearted poem, copied out in his best hand, with the guitar he gave to Jane Williams in 1822. |
Jordan Saxby |
02 Dec 2010 |
|
63 |
Creative Commons |
Percy Bysshe Shelley - Dedication fair copy of 'With a guitar. To Jane' |
Part of the Shelley's Ghost Exhibition. Shelley presented this light-hearted poem, copied out in his best hand, with the guitar he gave to Jane Williams in 1822. |
Jordan Saxby |
02 Dec 2010 |
|
62 |
Creative Commons |
Percy Bysshe Shelley - Fair copy of Ode to the West Wind |
Part of the Shelly's Ghost Exhibition. Shelley's best-known poem was written in Florence in late 1819. |
Christopher Adams |
02 Dec 2010 |
|
61 |
Creative Commons |
Percy Bysshe Shelley - Fair copy of Ode to the West Wind |
Part of the Shelly's Ghost Exhibition. Shelley's best-known poem was written in Florence in late 1819. |
Christopher Adams |
02 Dec 2010 |
|
60 |
Creative Commons |
Percy Bysshe Shelley - Draft of 'Ozymandias' |
Part of the Shelley's Ghost Exhibition. 'Ozymandias' is the Greek name for Ramses II, who ruled Egypt for sixty-seven years from 1279 to 1213 BC. |
Christopher Adams |
02 Dec 2010 |
|
59 |
Creative Commons |
Percy Bysshe Shelley - Draft of 'Ozymandias' |
Part of the Shelley's Ghost Exhibition. 'Ozymandias' is the Greek name for Ramses II, who ruled Egypt for sixty-seven years from 1279 to 1213 BC. |
Christopher Adams |
02 Dec 2010 |
|
58 |
Creative Commons |
Mary Shelley (with Percy Bysshe Shelley) - Draft of Frankenstein |
Mary Shelley drafted Frankenstein in two tall notebooks. The first notebook was probably purchased in Geneva, the second several months later in England. |
Christopher Adams |
02 Dec 2010 |
|
57 |
Creative Commons |
Mary Shelley (with Percy Bysshe Shelley) - Draft of Frankenstein |
Mary Shelley drafted Frankenstein in two tall notebooks. The first notebook was probably purchased in Geneva, the second several months later in England. |
Christopher Adams |
02 Dec 2010 |
|
56 |
Creative Commons |
Harriet Shelley - Letter to Eliza Westbrook, Shelley and her parents |
Part of the Shelley's Ghost Exhibition. Harriet Shelley drowned herself in December 1816, aged twenty-one. Her body was recovered from the Serpentine on 10 December, and an inquest into the death of one 'Harriet Smith' was held the following day. |
Hannah Morrell |
02 Dec 2010 |
|
55 |
Creative Commons |
Harriet Shelley - Letter to Eliza Westbrook, Shelley and her parents |
Part of the Shelley's Ghost Exhibition. Harriet Shelley drowned herself in December 1816, aged twenty-one. Her body was recovered from the Serpentine on 10 December, and an inquest into the death of one 'Harriet Smith' was held the following day. |
Hannah Morrell |
02 Dec 2010 |
|
54 |
Creative Commons |
Mary Shelley - Letter to Percy Bysshe Shelley |
Part of the Shelley's Ghost Exhibition. Shelley and Mary arrived back in London to face the almost universal disapproval of family and friends, and severe money problems. |
Nouran Koriem |
02 Dec 2010 |
|
53 |
Creative Commons |
Mary Shelley - Letter to Percy Bysshe Shelley |
Part of the Shelley's Ghost Exhibition. Shelley and Mary arrived back in London to face the almost universal disapproval of family and friends, and severe money problems. |
Nouran Koriem |
02 Dec 2010 |
|
52 |
Creative Commons |
Percy Bysshe Shelley and Mary Shelley - Joint journal entry |
Part of the Shelley's Ghost Exhibition. Shelley and Mary eloped at 4.15 am on 28 July 1814, accompanied by Mary's step-sister Jane Clairmont. |
Henry Cockburn |
02 Dec 2010 |
|
51 |
Creative Commons |
Percy Bysshe Shelley and Mary Shelley - Joint journal entry |
Part of the Shelley's Ghost Exhibition. Shelley and Mary eloped at 4.15 am on 28 July 1814, accompanied by Mary's step-sister Jane Clairmont. |
Henry Cockburn |
02 Dec 2010 |
|
50 |
Creative Commons |
Percy Bysshe Shelley: Letter to William Godwin |
Part of the Shelley's Ghost Exhibition. Using false names, Shelley sent copies of The Necessity of the Atheism to 'men of thought and learning', including bishops and clergymen. |
Henry Cockburn |
02 Dec 2010 |
|
49 |
Creative Commons |
Percy Bysshe Shelley: Letter to William Godwin |
Part of the Shelley's Ghost Exhibition. Using false names, Shelley sent copies of The Necessity of the Atheism to 'men of thought and learning', including bishops and clergymen. |
Henry Cockburn |
02 Dec 2010 |
|
48 |
Creative Commons |
William Godwin: Memoirs of the Author of a Vindication of the Rights of Woman |
Part of the Shelley's Ghost Exhibition. Godwin's memoir of Mary Wollstonecraft has been called the first modern biography. At the time, however, its frankness and emotional candour provoked general outrage. |
Henry Cockburn |
02 Dec 2010 |
|
47 |
Creative Commons |
William Godwin: Memoirs of the Author of a Vindication of the Rights of Woman |
Part of the Shelley's Ghost Exhibition. Godwin's memoir of Mary Wollstonecraft has been called the first modern biography. At the time, however, its frankness and emotional candour provoked general outrage. |
Henry Cockburn |
02 Dec 2010 |
|
46 |
Creative Commons |
Mary Wollstonecraft Three notes to William Godwin |
Part of the Shelley's Ghost Exhibition. Even after their marriage Godwin and Wollstonecraft preferred to live independently during the day, and communicate by correspondence. |
Hannah Morrell |
02 Dec 2010 |
|
45 |
Creative Commons |
Mary Wollstonecraft Three notes to William Godwin |
Part of the Shelley's Ghost Exhibition. Even after their marriage Godwin and Wollstonecraft preferred to live independently during the day, and communicate by correspondence. |
Hannah Morrell |
02 Dec 2010 |
|
44 |
Creative Commons |
Mary Wollstonecraft - A Vindication of the Rights of Woman |
Part of the Shelley's Ghost Exhibition. In her most famous work Mary Wollstonecraft argued that if women were educated in the same way as men they would perform as well. |
Annabell James |
02 Dec 2010 |
|
43 |
Creative Commons |
Mary Wollstonecraft - A Vindication of the Rights of Woman |
Part of the Shelley's Ghost Exhibition. In her most famous work Mary Wollstonecraft argued that if women were educated in the same way as men they would perform as well. |
Annabell James |
02 Dec 2010 |
|
42 |
Creative Commons |
Streptomyces in Nature and Medicine: The Antibiotic Makers |
Although plants are a very important part of a garden, we must not forget about the important contribution that soil makes. Bacteria living in the soil also produce compounds important as modern antibiotics. |
Sir David Hopwood |
17 Nov 2010 |
|
41 |
Creative Commons |
The Botanic Garden - Your Modern Medicine Cabinet |
The first talk in the series from the Oxford Botanic Garden. This talk will describe the development of this new area as well as explaining the involvement of some of the plants grown there in the discovery and development of modern drugs. |
Alison Foster |
15 Nov 2010 |
|
40 |
Creative Commons |
Oxford Literary Festival 2010 Pieces of Places Discussion The Weirdstone of Brisingamen |
Alan Garner, Mark Edmonds and Robert Powell take part in a discussion on the subject of pieces of places, objects and artefacts found and what they mean for writing fiction and for archeology in general. |
Alan Garner, Mark Edmonds, Robert Powell |
21 Jun 2010 |
|
39 |
Creative Commons |
Oxford Literary Festival 2010 Pieces of Places - Reading of Alan Garner's Work |
The 50th anniversary of the publication of Alan Garner's first novel, The Weirdstone of Brisingamen. A talk examining the importance of place in Alan Garner's work. Robert Powell gives a reading of The Stone Book, from The Stone Book Quartet. |
Robert Powell, Alan Garner |
21 Jun 2010 |
|
38 |
Creative Commons |
Oxford Literary Festival 2010 By Seven Firs and Goldenstone - An account of the Legend of Alderley |
Alan Garner gives an illustrated lecture on the Legend of Alderley. This version of the myth of the Sleeping Hero is rooted to places on Alderley Edge in Cheshire, where Alan Garner grew up. |
Alan Garner |
21 Jun 2010 |
|
37 |
Creative Commons |
Conclusion to Crossing Borders |
The conclusion to the Crossing Borders exhibition. The exhibition tells the story of how Jews, Christians and Muslims have contributed to the development of the book. |
Piet van Boxel |
10 May 2010 |
|
36 |
Creative Commons |
Sciences |
Piet looks at how the works of famous ancient thinkers such as Aristotle, Hippocrates, Euclid or Ptolemy traveled from culture to culture and formed the basis of Muslim, Christian and Jewish science and philosophy alike. |
Piet van Boxel |
10 May 2010 |
|
35 |
Creative Commons |
User-produced Hebrew Prayer Books and Shared Iconography |
Some Hebrew manuscripts were produced in Christian workshops, others were made by Jewish artists themselves for their own use. Piet looks at examples of these and explores the shared iconography between Christian and Jewish faiths, such as the unicorn. |
Piet van Boxel |
10 May 2010 |
|
34 |
Creative Commons |
Hebrew Prayer Books for Public Use |
Piet looks at the three great Bodleian mahzorim (large and elaborately decorated prayer books for the festivals), which were illuminated by Christian painters in collaboration with and under the supervision of Jewish scribes. |
Piet van Boxel |
10 May 2010 |
|
33 |
Creative Commons |
Arabic Art Forms in Spanish Book Production |
Piet explains Arabic design and illustration in Spanish books, looking in particular at the Kennicott Bible, produced in La Coruna, Spain, in 1476. |
Piet van Boxel |
10 May 2010 |
|
32 |
Creative Commons |
From Roll to Codex |
Piet explains codices, the oldest manuscripts in book form, looking in particular at a fragment of the Hebrew text of the book of Ecclesiasticus (ch. 40) from the Cairo Genizah, and the four Gospels in Syriac. |
Piet van Boxel |
06 May 2010 |
|
31 |
Creative Commons |
Introduction to Crossing Borders |
An introduction to the Crossing Borders exhibition. The exhibition tells the story of how Jews, Christians and Muslims have contributed to the development of the book. |
Piet van Boxel |
06 May 2010 |
|
30 |
|
Pre-1500 Printed Books |
The earliest printers spread from Mainz in Germany where Gutenberg first had his printing house to Venice, Rome, Paris, and the Netherlands. Examples from all of these centres of 15th-century printing are found in Bodleian collections. |
Paul Nash |
05 Mar 2010 |
|
29 |
|
The Museum of the History of Science: An Introduction |
Short video presented by Jim Bennett, Director of the Museum of the History of Science, looking into the history of the museum and some of its curiosities. |
Jim Bennett |
10 Dec 2009 |
|
28 |
|
Einstein's Blackboard |
Jim Bennett, Director of the Museum of the History of Science, talks about one of the museum's prized exhibits, a blackboard Albert Einstein used in a lecture he gave to the university in 1931. |
Jim Bennett |
10 Dec 2009 |
|
27 |
|
Steampunk Exhibition |
Short video about the Steampunk exhibition, from the Museum of the History of Science until February 2010 with the museum's director, Jim Bennett, explaining the various exhibits. |
Jim Bennett |
10 Dec 2009 |
|
26 |
|
BODcast: P.D. James in conversation with Colin Dexter (short) |
Special footage celebrating the launch of Talking about Detective Fiction by PD James, the latest Bodleian Library publication. PD James is donating all royalties from the hardback edition to the Bodleian and hopes it will encourage further philanthropy. |
P. D. James, Colin Dexter |
30 Sep 2009 |
|
25 |
|
BODcast: P.D. James in conversation with Colin Dexter (long) |
Special footage celebrating the launch of Talking about Detective Fiction by PD James, the latest Bodleian Library publication. PD James is donating all royalties from the hardback edition to the Bodleian and hopes it will encourage further philanthropy. |
P. D. James, Colin Dexter |
30 Sep 2009 |
|
24 |
|
Telescopes Now Lecture 4: The Pierre Auger Observatory |
In the fourth and final lecture in the 'Telescopes Now' series, Professor Alan Watson talks about his work at the Pierre Auger Cosmic Ray Observatory. |
Alan Watson |
03 Mar 2009 |
|
23 |
|
Telescopes Now Lecture 3: The Gemini Telescopes |
In the third in a series of lectures by senior astronomers about recent developments in telescopes, Professor Roger Davies talks about his work on the Gemini Telescopes. |
Roger Davies |
03 Mar 2009 |
|
22 |
|
Telescopes Now Lecture 2: Jodrell Bank, the Lovell Telescope and e-MERLIN |
In the second in a series of lectures by senior astronomers about recent developments in the telescope, Professor Phil Diamond talks about his work at Jodrell Bank on E-Merlin, and in particular the Lovell Telescope. |
Phil Diamond |
03 Mar 2009 |
|
21 |
|
Telescopes Now Lecture 1: The William Herschel and the Hubble telescopes |
In the first in a series of lectures by senior astronomers about recent developments in telescopes, Professor Alexander Boksenberg talks about his work with the William Herschel and the Hubble telescopes. |
Alexander Boksenberg |
03 Mar 2009 |
|
20 |
|
Magna Carta and Wind In The Willows |
A short history of how the Bodleian library stores original copies of the Magna Carta and the original Wind in the Willows letters. |
Bodleian Library |
11 Sep 2008 |
|
19 |
|
Reading at the 'Archipelago Poetry Evening' |
Reading at the 'Archipelago Poetry Evening'. |
Bernard O'Donoghue |
30 Apr 2008 |
|
18 |
|
The Anglo-Saxon poem 'The Wanderer' |
Reading from his translation of the Anglo-Saxon poem 'The Wanderer'. |
Greg Delanty |
30 Apr 2008 |
|
17 |
|
A poem by Osip Mandelshtam (read in Russian) |
An introduction and excerpts from a poem by Osip Mandelshtam (read in Russian). |
Andrew Kahn |
30 Apr 2008 |
|
16 |
|
Reading of a poem in Scottish Gaelic |
Reading of a poem in Scottish Gaelic. |
Mark Williams |
30 Apr 2008 |
|
15 |
|
Reading from his poem 'Flood' |
Reading from his poem 'Flood'. |
Paul Abbot |
30 Apr 2008 |
|
14 |
|
Reading from his poem 'Muck' |
Reading from his poem 'Muck'. |
Mick Imlah |
30 Apr 2008 |
|
13 |
|
Paradise Lost Book One: Milton's ambitions |
Milton's ambitions as a poet. |
Sam Dastor |
29 Apr 2008 |
|
12 |
|
Paradise Lost Book Four |
Satan first spies Adam and Eve. |
Sam Dastor |
29 Apr 2008 |
|
11 |
|
Paradise Lost Book One: Satan's first speech |
Satan's first speech. |
Sam Dastor |
29 Apr 2008 |
|
10 |
|
Samson Agonistes |
The Biblical hero Samson bewailing his political and personal state. |
Sam Dastor |
29 Apr 2008 |
|
9 |
|
Aeropagitica |
Milton's defense of the freedom of the press written to Parliament. |
Sam Dastor |
29 Apr 2008 |
|
8 |
|
Magna Carta at Oxford |
Richard Sharpe explains that the seventeen surviving manuscripts on the Magna Carta are engrossments, not copies: official documents from Royal Chancery bearing the ruler's seal. Prof. Sharpe also reveals why so many examples of the Magna Carta survive. |
Richard Sharpe |
29 Apr 2008 |
|
7 |
|
The origins of 'Archipelago' |
The origins of 'Archipelago'. |
Andrew McNeillie |
29 Apr 2008 |
|
6 |
|
Introduction to the Archipelago Poetry Evening |
Introduction to the Archipelago Poetry Evening. |
Chris Fletcher |
29 Apr 2008 |
|
5 |
|
Seamus Heaney reading two contributions |
Two contributions to the first issue of "Archipelago". |
Seamus Heaney |
29 Apr 2008 |
|
4 |
|
Citizen Milton Exhibition Talk |
Citizen Milton Exhibition Talk |
Philip Pullman |
29 Apr 2008 |
|
3 |
|
The Creation as told in the Qu'ran |
World Book Day 2008 Talk. |
Professor Yahya Michot |
29 Apr 2008 |
|
2 |
|
The Creation as told in the Bible |
World Book Day 2008 Talk. |
Alister McGrath |
29 Apr 2008 |
|
1 |
|
The Creation as told in the Torah |
World Book Day 2008 Talk. |
Norman Solomon |
29 Apr 2008 |