Department of History of Art
Relevant Links
All human societies have used images to a greater or lesser degree in their communications. Art historians have set themselves the task of understanding this process. Although art history has traditionally concentrated on the ‘fine’ arts of painting, sculpture and architecture, it has shared many of its fundamental questions and methods with related disciplines such as archaeology, anthropology, literary studies, and political, social and cultural history.
Oxford’s History of Art courses are uniquely positioned to reflect this cross-disciplinary potential. Situated among a compact array of world-class museums, galleries and collections, we are able to encompass a much greater range of subject-matter than is normally available to undergraduate and postgraduate students. Working within the History Faculty and the Humanities Division, our teaching and research is supported by the Ashmolean Museum, the Bodleian Library, Christ Church Picture Gallery, the Pitt-Rivers Museum, the Museum of the History of Science, and Modern Art Oxford, as well as by the Ruskin School of Drawing and Fine Art.
Series associated with Department of History of Art
# | Episode Title | Description | People | Date | |
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95 | Creative Commons | Slade Lecture Series 2023: Defiant Sculpture: Isek Bodys Kingelez and Mobutu Sese-Seko’s Authenticité, 1990s | Professor Chika Okeke-Agulu argues that the extravagant hypermodernity of Isek Bodys Kingelez’s architectural sculptures, as with segments of popular arts, constitute a distinctive form of imaginative resistance to official culture under Mobutu. | Chika Okeke-Agulu | 18 May 2023 |
94 | Creative Commons | Slade Lecture Series 2023: Drawing the Line: Obiora Udechukwu and Nigeria’s Smiling General 1980s-1990s | In the 1980’s, the painter and poet Obiora Udechukwu (b. 1946), a leading figure of the Nsukka School, was at the height of his powers, with drawings and paintings celebrated for their lyrical power and trenchant social commentary. | Chika Okeke-Agulu | 18 May 2023 |
93 | Creative Commons | Slade Lecture Series 2023: Prison Drawing: Ibrahim El Salahi in Al Nimeiry’s Sudan, 1970s | In this lecture, Professor Chika Okeke-Agulu focuses on the calligraphic figuration of Ibrahim El Salahi (b. 1930), the country’s leading modernist and onetime political prisoner. | Chika Okeke-Agulu | 18 May 2023 |
92 | Creative Commons | Slade Lecture Series 2023: To speak in Parables: Dumile Feni in Hendrik Verwoerd’s South Africa, 1960s | Chika Okeke-Agulu examines art & politics in 1960s South Africa paying particular attention to Hendrik Verwoerd, the self-styled “Great Induna,” & architect of Apartheid, whose assassination in 1966 slowed the triumphant march of Afrikaner racist ideology | Chika Okeke-Agulu | 18 May 2023 |
91 | Creative Commons | Slade Lecture Series 2023: Gazbia Sirry and Egyptian artists in the Nasserite State, 1950s-1960s | Professor Chika Okeke-Agulu follows the formal and tonal shifts in Gazbia Sirry’s work as it responded to, and was shaped by Nasser’s and post-revolutionary Egypt’s political fortunes. | Chika Okeke-Agulu | 18 May 2023 |
90 | Creative Commons | Slade Lecture Series 2023: African Artists in the Age of the Big Man | Okeke-Agulu presents 5 artists whose work exemplify the difficult relationship of art & power as Africa’s decolonization gave way to the emergence of undemocratic polities ruled by charismatic & repressive strongmen in the second half of the 20th century. | Chika Okeke-Agulu | 18 May 2023 |
89 | Collapsing Time with Sor Juana Inés de la Cruz | The 2022 Terra Lectures in American Art centre on Latinx art, with an emphasis on Chicanx (Mexican American) artists, and the theme of migration – of people, ideas, and artworks, from the seventeenth century to today. | Charlene Villaseñor Black | 17 May 2022 | |
88 | The Terra Lectures in American Art: Decolonising Art History through Latinx Art "Art and Radical Hospitality" | The 2022 Terra Lectures in American Art centre on Latinx art, with an emphasis on Chicanx (Mexican American) artists, and the theme of migration - of people, ideas, and artworks, from the seventeenth century to today. | Charlene Villaseñor Black | 03 May 2022 | |
87 | Sacred Art and Censorship in the Hispanic World | Professor Charlene Villaseñor Black presents her paper “Sacred Art and Censorship in the Hispanic World: Mary’s Lactating Breast” as part of the History of Art Research Seminar Series. | Charlene Villaseñor Black, Anna Espinola Lynn, Alexandra Solovyev | 24 Mar 2022 | |
86 | Creative Commons | Talking Ukraine with Olena Chervonik | A conversation between Professor Geoffrey Batchen and Ukrainian-born art history doctoral student Olena Chervonik, focusing on the history and culture of Ukraine. | Olena Chervonik, Geoff Batchen | 10 Mar 2022 |
85 | Grace Hartigan: Fashion or Painting? | In this talk Dr Saul Nelson analyses a single painting, Grace Hartigan’s 'The Persian Jacket' (1952), in order to draw a few conclusions about late modernism. | Saul Nelson, Alexandra Solovyev | 04 Mar 2022 | |
84 | History of Art Radio Hour with Dipti Khera | Dipti Khera is an Associate Professor in the Department of Art History and the Institute of Fine Arts at New York University. | Dipti Khera, Geoff Batchen | 25 Nov 2021 | |
83 | History of Art Radio Hour with Lena Fritsch | Lena Fritsch is the Curator of Modern and Contemporary Art at the Ashmolean Museum, where she works on exhibitions, displays and acquisitions of international art. | Lena Fritsch, Geoff Batchen | 16 Nov 2021 | |
82 | History of Art Radio Hour with Anthony Gardner | Anthony Gardner is Professor of Contemporary Art History at the Ruskin School of Art at the University of Oxford. | Anthony Gardner, Geoff Batchen | 12 Nov 2021 | |
81 | History of Art Radio Hour with Mette Sandbye | Mette Sandbye is a Professor in the Department of Arts and Cultural Studies at the University of Copenhagen in Denmark. | Mette Sandbye, Geoff Batchen | 09 Nov 2021 | |
80 | History of Art Radio Hour with Craig Clunas | Craig Clunas (Oxford History of Art), gives a talk 13th October 2021. | Craig Clunas, Geoff Batchen | 01 Nov 2021 | |
79 | Slade Lecture Series: Hunting in the Borderlands: Translations | Material Histories of Medieval Iberia, held on Wednesday 2 June 2021, part of the Slade Professor of Fine Art, Annual Lecture Series, 2021. | Jerrilynn Dodds | 14 Jun 2021 | |
78 | Slade Lecture Series: The Virgin as Colonial Agent | Material Histories of Medieval Iberia, held on Wednesday 26 May 2021, part of the Slade Professor of Fine Art, Annual Lecture Series, 2021. | Jerrilynn Dodds | 14 Jun 2021 | |
77 | Slade Lecture Series: Mudejar and Romanesque. Romanesque and Islam | Material Histories of Medieval Iberia, held on Wednesday 19 May 2021, part of the Slade Professor of Fine Art, Annual Lecture Series, 2021. | Jerrilynn Dodds | 14 Jun 2021 | |
76 | Slade Lecture Series: Babylon in Flames | Material Histories of Medieval Iberia, held on Wednesday 12 May. Part of the Slade Professor of Fine Art, Annual Lecture Series, 2021. | Jerrilynn Dodds | 14 Jun 2021 | |
75 | Slade Lecture Series: The Great Mosque of Cordoba as Center and Periphery | Material Histories of Medieval Iberia, held on Wednesday 5 May 2021. Part of the Slade Professor of Fine Art, Annual Lecture Series, 2021. | Jerrilynn Dodds | 14 Jun 2021 | |
74 | Slade Lecture Series: An Agonistic History of Art | Material Histories of Medieval Iberia, held on Wednesday 28 April 2021. | Jerrilynn Dodds | 14 Jun 2021 | |
73 | The Terra Lectures in American Art Part 1: Regarding the Portrait: The Primers | Professor Amy M. Mooney, Terra Foundation Visiting Professor in American Art Hosted by TORCH. Moderator; Alastair Wright: Alastair Wright is Head of the History of Art Department and Tutorial Fellow in Art History at St John’s College, Oxford. | Amy M. Mooney | 16 Oct 2020 | |
72 | The Terra Lectures in American Art Part 3: Regarding the Portrait: The Progressives | Professor Amy M. Mooney, Terra Foundation Visiting Professor in American Art Hosted by TORCH. Moderator: Melanie Chambliss, Assistant Professor in the Humanities, History, and Social Sciences Department at Columbia College Chicago. | Amy M. Mooney | 16 Oct 2020 | |
71 | The Terra Lectures in American Art Part 2: Regarding the Portrait: The Photographers | Professor Amy M. Mooney, Terra Foundation Visiting Professor in American Art. Hosted by TORCH. Moderator: Professor Deborah Willis, Department of Photography and Imaging at the Tisch School of the Arts at New York University. | Amy M. Mooney | 16 Oct 2020 | |
70 | The Terra Lectures in American Art Part 4: Regarding the Portrait: The Pragmatists | Professor Amy M. Mooney, Terra Foundation Visiting Professor in American Art Hosted by TORCH. | Amy M. Mooney | 16 Oct 2020 | |
69 | Creative Commons | Terra Foundation Lectures in American Art 2019 - A Contest of Images: American Art as Culture War (4) The Stones of Civil War | Dr John Blakinger speaks about iconoclasm in American history and the vandalism of Confederate monuments. | John Blakinger | 05 Jun 2019 |
68 | Creative Commons | Terra Foundation Lectures in American Art 2019 - A Contest of Images: American Art as Culture War (3) Dismantling the Gallows | Dr John Blakinger discusses 'Scaffold', Sam Durant's contentious sculpture. | John Blakinger | 05 Jun 2019 |
67 | Creative Commons | Terra Foundation Lectures in American Art 2019 - A Contest of Images: American Art as Culture War (2) The Body of Emmett Till | Dr John Blakinger speaks about the controversy surrounding Dana Shutz's painting of the body of Emmett Till exhibited at the 2017 Whitney Biennnial. | John Blakinger | 05 Jun 2019 |
66 | Creative Commons | Terra Foundation Lectures in American Art 2019 - A Contest of Images: American Art as Culture War (1) Warhol in Safariland | Dr John Blakinger talks about demonstrations against the Whitney Museum of American Art related to its connections with the tear gas manufacturer Safariland. | John Blakinger | 05 Jun 2019 |
65 | Research Seminar: Aesop, Velazquez and War | This lecture was delivered at the University of Oxford History of Art Department’s Research Seminar series by T.J Clark Professor Emeritus, UC Berkeley. | T.J Clark | 30 Oct 2018 | |
64 | Terra Foundation Lectures in American Art 2018: The Body of a Nation: (4) The great disappearing George Washington: history and the head of state in contemporary American art | Professor Miguel de Baca gives his final Terra Foundation Lecture in American Art on Gilbert Stuart’s unfinished painting of George Washington. | Miguel De Baca | 28 Jun 2018 | |
63 | Terra Foundation Lectures in American Art 2018: The Body of a Nation: (3) Modernism disfigured: cult and illicit ritual in New Mexico in the works of Georgia O’Keeffe and Martha Graham | Professor Miguel de Baca gives his third Terra Foundation Lecture in American Art on the works of Georgia O’Keeffe and Martha Graham. | Miguel De Baca | 28 Jun 2018 | |
62 | Terra Foundation Lectures in American Art 2018: The Body of a Nation: (2) Skin and absence: the radical ceramics and poetry of the enslaved Dave the Potter | Professor Miguel de Baca gives his second Terra Foundation Lecture in American Art on the work of Dave the Potter. | Miguel De Baca | 28 Jun 2018 | |
61 | Terra Foundation Lectures in American Art 2018: The Body of a Nation: (1) Suicide in white and black: Thomas Cole’s Destruction and the American empire | Professor Miguel de Baca gives his first Terra Foundation Lecture in American Art on two depictions of suicide. | Miguel De Baca | 28 Jun 2018 | |
60 | Slade Lectures 2018 (7): Barocci: The Madonna del Popolo | Professor David Ekserdjian gives his seventh Slade Lecture on Barocci’s drawings for the Madonna del Popolo. | David Ekserdjian | 09 May 2018 | |
59 | Slade Lectures 2018 (5): Parmigianino: The Madonna of the Long Neck | Professor David Ekserdjian gives his fifth Slade Lecture on Parmigianino’s drawings for the Madonna of the Long Neck. | David Ekserdjian | 09 May 2018 | |
58 | Slade Lectures 2018 (4): Correggio: The Dome of Parma Cathedral | art, drawing, painting, visual arts, italy | David Ekserdjian | 09 May 2018 | |
57 | Slade Lectures 2018 (3): Raphael: The Stanza della Segnatura | Professor David Ekserdjian gives his third Slade Lecture on Raphael’s drawings for the Stanza della Segnatura in the Vatican Palace. | David Ekserdjian | 09 May 2018 | |
56 | Slade Lectures 2018 (2): Michelangelo: The Sistine Chapel Ceiling | Professor David Ekserdjian gives his second Slade Lecture on Michelangelo’s drawings for the Sistine Chapel Ceiling. | David Ekserdjian | 09 May 2018 | |
55 | Slade Lectures 2018 (1): Drawing in Italy before 1500 | Professor David Ekserdjian gives his first Slade Lecture on Drawing in Italy before 1500. | David Ekserdjian | 09 May 2018 | |
54 | Core Course: Architects or Artisans? The Builders of the Medieval Cathedrals | This lecture forms part of series entitled Introduction to the History of Art, a core course taught to the first year undergraduate History of Art students. | Gervase Rosser | 07 Dec 2017 | |
53 | Creative Commons | Terra Foundation Lectures in American Art 2017: Picturing a Nation: (4) Frozen in History: The Arrival of the Kennedys at Love Field | Professor David Lubin gives his final Terra Lecture in American Art on the Kennedys. | David M. Lubin | 28 Jun 2017 |
52 | Creative Commons | Terra Foundation Lectures in American Art 2017: Picturing a Nation: (3) The Ashcan Goes to War: George Bellows, Belligerence, and the Rape of Belgium | Professor David Lubin gives his third Terra Lecture in American Art on painter George Bellows. | David M. Lubin | 28 Jun 2017 |
51 | Creative Commons | Terra Foundation Lectures in American Art 2017: Picturing a Nation: (2) Buried Treasure: America’s Great Book Illustrator Howard Pyle and the Silver Screen | Professor David Lubin gives his second Terra Lecture in American Art on Howard Pyle’s illustrations of Robin Hood and pirates and their representation in movies. | David M. Lubin | 28 Jun 2017 |
50 | Creative Commons | Terra Foundation Lectures in American Art 2017: Picturing a Nation: (1) Riding into History, Marching into Oblivion: The Civil War, Racial Justice, and the Shaw Memorial | Professor David Lubin gives his first Terra Lecture in American Art on the Shaw Memorial in Boston. | David M. Lubin | 28 Jun 2017 |
49 | Photo Archives VI: The Place of Photography and the Phases of Digitisation | Nina Lager Vestberg (Norwegian University of Science and Technology) discusses the digital condition of photography through a phase model of digitisation. | Nina Lager Vestberg | 09 May 2017 | |
48 | Photo Archives VI: Archive, Exhibition, Book: 'The Family of Man' Reconstituted | Shamoon Zamir (New York University Abu Dhabi) discusses the 'The Family of Man' exhibition and its related archives. | Shamoon Zamir | 09 May 2017 | |
47 | Photo Archives VI: Archiving Royal Heirlooms: The publication of the Crown treasures of the Galerie d'Apollon (Louvre) and its materiality | Pascal Griener (University of Neuchatel) discusses photographic reproductions of the French crown jewels made for their auction in 1887. | Pascal Griener | 09 May 2017 | |
46 | Photo Archives VI: From Trash to Treasure: Loss, Value, and the Photo Archive | Catherine E. Clark (MIT) discusses the life cycle of anonymous photographic archives. | Catherine E. Clark | 09 May 2017 | |
45 | Photo Archives VI: Saving Space, Mediating Place: Photography and the Reproduction of Collections and Archives | Estelle Blaschke (University of Lausanne) discusses the development and growth in use of microfilm during the 1920s and 1930s. | Estelle Blaschke | 09 May 2017 | |
44 | Photo Archives VI: Photography as Protocol | Kelley Wilder (De Montfort University) discusses photography as a scientific protocol | Kelley Wilder | 09 May 2017 | |
43 | Photo Archives VI: The Laboratory as Photo Archive | Chitra Ramalingam (Yale University) discusses photographic collections within science laboratories | Chitra Ramalingam | 09 May 2017 | |
42 | Photo Archives VI: Vision in Doubt: Arctic Photography, Victorian Geology, and its Anglo-American Debates | Luke Gartlan (University of St Andrews) discusses Victorian arctic photography in The Arctic Regions (1873) and an unpublished album. | Luke Gartlan | 09 May 2017 | |
41 | Photo Archives VI: Sticking points: Photographic albums and the forgetful archives of Egyptian archaeology | Christina Riggs (University of East Anglia) discusses the 'forgetfulness' of photo albums from excavations in colonial and interwar Egypt. | Christina Riggs | 09 May 2017 | |
40 | Photo Archives VI: The Relational Album: Photographic Networks, Anthropology, and the Learned Society | Christopher Morton (University of Oxford) discusses the concept of the relational museum applied to an album from the Anthropological Society in London. | Christopher Morton | 09 May 2017 | |
39 | Photo Archives VI: The Archive in Transition: Reframing Josef Sudek’s Photographic Reproductions of Art | Katarina Masterova (Institute of Art History, The Czech Academy of Sciences) discusses the objecthood of Josef Sudek's photographic archive. | Katarína Mašterová | 09 May 2017 | |
38 | Photo Archives VI: Transports of Vision: Frederic Edwin Church's Photographic Collection of the Mediterranean and Middle East | Frederick N. Bohrer (Hood College) discusses Frederic Edwin Church's photographic collection. | Frederick N. Bohrer | 09 May 2017 | |
37 | Photo Archives VI Welcome Day 2 | Opening remarks on the second day of the conference. | Constanza Caraffa | 09 May 2017 | |
36 | Photo Archives VI Welcome Day 1 | Opening remarks on the first day of the conference. | Geraldine Johnson, Deborah Schultz | 09 May 2017 | |
35 | Jan Brueghel and his Views of Italian Ruins | This lecture forms part of a series entitled "Antiquity After Antiquity" and is for first year Undergraduate History of Art students. It was delivered at the University of Oxford History of Art Department. | An Van Camp | 11 Jul 2016 | |
34 | Creative Commons | Core Course: Modernism and Post-modernism | This lecture forms part of a series entitled "Art History: Concepts and Methods" and is for second year Undergraduate and MSt History of Art students. It was delivered at the University of Oxford History of Art Department. | Alex J. Taylor | 29 Mar 2016 |
33 | Historical Time in Contemporary Art: Longue Durée Revisited | Session 4 paper for the Art out of Time: Challenging Periodization Symposium with Christine Ross (McGill) and Respondent Amelia Barikin (University of Queensland). | Christine Ross, Amelia Barikin, Anthony Gardner | 30 Oct 2014 | |
32 | The First 'Date Painting': On Kawara at Altamira | Session 1 paper for the Art out of Time: Challenging Periodization Symposium with Whitney Davis, (UC Berkeley and University of York) | Whitney Davis, Hanneke Grootenboer | 30 Oct 2014 | |
31 | Creative Commons | Special Lecture: Art, Architects, Books and Buildings: Sir Robert Taylor & his Collection at the Taylor Institution | A collaborative venture between the University of Oxford's Edgar Wind Society and the Taylor Institution Library, this lecture discusses Sir Robert Taylor and his collection of architectural books & included a display of selected items from the collection | Matthew Walker, Gervase Rosser | 17 Sep 2014 |
30 | Creative Commons | Core Course: Space: Approaches to Architecture | This lecture forms part of series entitled 'Art History: Concepts and Methods', offered to second year Undergraduate and MSt History of Art students. | Matthew Walker | 06 May 2014 |
29 | Core Course: Artists' Names | This lecture forms part of series entitled Introduction to the History of Art, a core course taught to the first year undergraduate History of Art students. | Geraldine Johnson | 06 May 2014 | |
28 | Creative Commons | Core Course: Art and Art History: Painting in China | This lecture forms part of series entitled Introduction to the History of Art, a core course taught to the first year undergraduate History of Art students. | Craig Clunas | 06 May 2014 |
27 | Creative Commons | Careers Seminar 2014 - Collections Management in a Historic House | A careers event organised by Lucy Hawkins (Careers Service) and Rachel Woodruff, (History of Art Dept) with speakers from the Arts and Heritage sectors, including recent alumni of the Department, providing insights into their careers. | Emily Roy | 27 Feb 2014 |
26 | Creative Commons | Careers Seminar 2014 - Finding Yourself in Advertising | A careers event organised by Lucy Hawkins (Careers Service) and Rachel Woodruff, (History of Art Dept) with speakers from the Arts and Heritage sectors, including recent alumni of the Department, providing insights into their careers. | Elle Graham-Dixon | 27 Feb 2014 |
25 | Creative Commons | Careers Seminar 2014 - Introduction | A careers event organised by Lucy Hawkins (Careers Service) and Rachel Woodruff, (History of Art Dept) with speakers from the Arts and Heritage sectors, including recent alumni of the Department, providing insights into their careers. | Lucy Hawkins | 27 Feb 2014 |
24 | Creative Commons | Careers Seminar 2013 | A careers event organised by Lucy Hawkins (Careers Service) and Rachel Woodruff, (History of Art Dept) with speakers from the Arts and Heritage sectors, including recent alumni of the Department, providing insights into their careers. | Lucy Hawkins, Ruth Millington, Holly Harris, Katharine Arnold | 14 Mar 2013 |
23 | Research Seminar: Francis Vernon, the Early Royal Society and the First English Encounter with Greek Architecture | This lecture was delivered at the University Of Oxford History Of Art Department's Research Seminar series by Dr Matthew Walker, History of Art Department, University of Oxford. | Matthew Walker | 20 Feb 2013 | |
22 | Slade Lectures 2009: Week 8: Naturalism Strikes Back: Tradition, Consensus, Rupture | Eighth lecture from the series "Style versus the State: Naturalism and Avant-gardism in Third Republic France, 1880-1900" given by Professor Richard Thomson as part of the annual Slade Art Lectures. | Richard Thomson | 18 Feb 2013 | |
21 | Slade Lectures 2009: Week 7: Repudiating Naturalism: the Avant-garde Seeking Style | Seventh lecture from the series "Style versus the State: Naturalism and Avant-gardism in Third Republic France, 1880-1900" given by Professor Richard Thomson as part of the annual Slade Art Lectures. | Richard Thomson | 18 Feb 2013 | |
20 | Slade Lectures 2009: Week 6: Organicism: National Energy and Natural Flux | Sixth lecture from the series "Style versus the State: Naturalism and Avant-gardism in Third Republic France, 1880-1900" given by Professor Richard Thomson as part of the annual Slade Art Lectures. | Richard Thomson | 18 Feb 2013 | |
19 | Slade Lectures 2009: Week 5: The 'Populaire': Identifying or Imagining Art from Below | Fifth lecture from the series "Style versus the State: Naturalism and Avant-gardism in Third Republic France, 1880-1900" given by Professor Richard Thomson as part of the annual Slade Art Lectures. | Richard Thomson | 18 Feb 2013 | |
18 | Slade Lectures 2009: Week 4: The Caricatural: Visual Humour and Subversive Style | Fourth lecture from the series "Style versus the State: Naturalism and Avant-gardism in Third Republic France, 1880-1900" given by Professor Richard Thomson as part of the annual Slade Art Lectures. | Richard Thomson | 18 Feb 2013 | |
17 | Slade Lectures 2009: Week 3: Naturalism: Flexibility or Failure of Style? | Third lecture from the series "Style versus the State: Naturalism and Avant-gardism in Third Republic France, 1880-1900" given by Professor Richard Thomson as part of the annual Slade Art Lectures. | Richard Thomson | 18 Feb 2013 | |
16 | Slade Lectures 2009: Week 2: Naturalism at the Service of the Republic | Second lecture from the series "Style versus the State: Naturalism and Avant-gardism in Third Republic France, 1880-1900" given by Professor Richard Thomson as part of the annual Slade Art Lectures. | Richard Thomson | 18 Feb 2013 | |
15 | Slade Lectures 2009: Week 1: Defining the Dominant Naturalism | First lecture from the series "Style versus the State: Naturalism and Avant-gardism in Third Republic France, 1880-1900" given by Professor Richard Thomson as part of the annual Slade Art Lectures. | Richard Thomson | 18 Feb 2013 | |
14 | Not Vital: Art is Global | International artist, Not Vital, gives a talk about his art and his work. | Not Vital | 13 Dec 2011 | |
13 | Creative Commons | Slade Lectures 2010: Week 8: Walking distance from the studio: cities, maps, and myths | Eighth and final Slade Lecture in Surrealism and Art History given by Dawn Ades, Professor of Art History and Theory at Essex University on 10th March 2010. | Dawn Ades | 18 Apr 2011 |
12 | Creative Commons | Slade Lectures 2010: Week 7: Transnational Surrealism: Tropiques and the role of the little magazine | Seventh lecture in the Slade lecture series on Surrealism and Art History given by Dawn Ades, Professor of Art History and Theory at Essex University on 3rd March 2010. | Dawn Ades | 18 Apr 2011 |
11 | Creative Commons | Slade Lectures 2010: Week 6: Monuments and ruins: Surrealism and archaeology in the New World | Sixth lecture in the Slade lecture series on Surrealism and Art given by Dawn Ades, Professor of Art History and Theory at Essex University on 24th February 2010. | Dawn Ades | 18 Apr 2011 |
10 | Creative Commons | Slade Lectures 2010: Week 5: Poetry, politics, and sexuality: Surrealism in Latin America | Fifth lecture in the Slade lecture series given by Dawn Ades, Professor of Art History and Theory at Essex University in Surrealism and Art History on 17th February 2010. | Dawn Ades | 18 Apr 2011 |
9 | Creative Commons | Slade Lectures 2010: Week 4: The experimental demonstration of critical paranoia: Salvador Dalí's The Tragic Myth of Millet's Angelus | Fourth Slade lecture from Dawn Ades, Professor of Art History and Theory at Essex University, given on 10th February 2010. | Dawn Ades | 18 Apr 2011 |
8 | Creative Commons | Slade Lectures 2010: Week 3: Beyond art: 'the enemy within', Georges Bataille and Documents | Dawn Ades, Professor of Art History and Theory at Essex University, gives the third lecture in the Slade lecture series on Surrealism and Art History. | Dawn Ades | 18 Apr 2011 |
7 | Creative Commons | Slade Lectures 2010: Week 2: Beyond painting: collage, objects, installations | Dawn Ades, Professor of Art History and Theory at Essex University gives the second Slade lecture in Surrealism and Art History on 27th January 2010. | Dawn Ades | 18 Apr 2011 |
6 | Creative Commons | Slade Lectures 2010: Week 1: Automatism and chance: Surrealist strategies and their legacies in contemporary art and film | Dawn Ades, Professor of Art History and Theory at Essex University, gives the first Slade lecture in Surrealism and Art History on 20th January 2010. | Dawn Ades | 18 Apr 2011 |
5 | Core Course: Modernism and Mass Culture | This lecture forms part of series entitled Introduction to the History of Art, a core course taught to the first year undergraduate History of Art students. | Alastair Wright | 11 Mar 2011 | |
4 | Core Course: Women as Patrons of the Arts in Early Modern Europe | This lecture forms part of series entitled 'Introduction to the History of Art', a core course taught to the first year undergraduate History of Art students. | Geraldine Johnson | 11 Mar 2011 | |
3 | Core Course: Painting as visual and material culture in Ming China | This lecture is one of a series of eight relating to an optional third year undergraduate course, 'Painting and Culture in Ming China' which can be taken by History of Art and History students. | Craig Clunas | 11 Mar 2011 | |
2 | Creative Commons | Research Seminar: Michelangelo: A Life on Paper | In this lecture recorded as a part of the University of Oxford History of Art Department's Research Seminar series, Professor Leonard Barkan (Princeton University) discusses the theme "Michelangelo: A Life on Paper". Recording date - 4th November 2010. | Leonard Barkan | 26 Nov 2010 |
1 | Putting China in its Place in the History of Art | The inaugural lecture by Professor Craig Clunas. | Craig Clunas | 02 Dec 2008 |