1 |
|
Collapsing Time with Sor Juana Inés de la Cruz |
The 2022 Terra Lectures in American Art centre on Latinx art, with an emphasis on Chicanx (Mexican American) artists, and the theme of migration – of people, ideas, and artworks, from the seventeenth century to today. |
Charlene Villaseñor Black |
17 May 2022 |
2 |
|
The Terra Lectures in American Art: Decolonising Art History through Latinx Art "Art and Radical Hospitality" |
The 2022 Terra Lectures in American Art centre on Latinx art, with an emphasis on Chicanx (Mexican American) artists, and the theme of migration - of people, ideas, and artworks, from the seventeenth century to today. |
Charlene Villaseñor Black |
03 May 2022 |
3 |
|
Grace Hartigan: Fashion or Painting? |
In this talk Dr Saul Nelson analyses a single painting, Grace Hartigan’s 'The Persian Jacket' (1952), in order to draw a few conclusions about late modernism. |
Saul Nelson, Alexandra Solovyev |
04 Mar 2022 |
4 |
|
Research Seminar: Aesop, Velazquez and War |
This lecture was delivered at the University of Oxford History of Art Department’s Research Seminar series by T.J Clark Professor Emeritus, UC Berkeley. |
T.J Clark |
30 Oct 2018 |
5 |
|
Terra Foundation Lectures in American Art 2018: The Body of a Nation: (4) The great disappearing George Washington: history and the head of state in contemporary American art |
Professor Miguel de Baca gives his final Terra Foundation Lecture in American Art on Gilbert Stuart’s unfinished painting of George Washington. |
Miguel De Baca |
28 Jun 2018 |
6 |
|
Terra Foundation Lectures in American Art 2018: The Body of a Nation: (3) Modernism disfigured: cult and illicit ritual in New Mexico in the works of Georgia O’Keeffe and Martha Graham |
Professor Miguel de Baca gives his third Terra Foundation Lecture in American Art on the works of Georgia O’Keeffe and Martha Graham. |
Miguel De Baca |
28 Jun 2018 |
7 |
|
Terra Foundation Lectures in American Art 2018: The Body of a Nation: (1) Suicide in white and black: Thomas Cole’s Destruction and the American empire |
Professor Miguel de Baca gives his first Terra Foundation Lecture in American Art on two depictions of suicide. |
Miguel De Baca |
28 Jun 2018 |
8 |
Creative Commons |
‘Edward Lear’s Vision’, by Professor Matthew Bevis |
A talk given at the Ashmolean Museum on Edward Lear’s life, art, and poetry. |
Matthew Bevis |
10 May 2018 |
9 |
|
Slade Lectures 2018 (7): Barocci: The Madonna del Popolo |
Professor David Ekserdjian gives his seventh Slade Lecture on Barocci’s drawings for the Madonna del Popolo. |
David Ekserdjian |
09 May 2018 |
10 |
|
Slade Lectures 2018 (5): Parmigianino: The Madonna of the Long Neck |
Professor David Ekserdjian gives his fifth Slade Lecture on Parmigianino’s drawings for the Madonna of the Long Neck. |
David Ekserdjian |
09 May 2018 |
11 |
|
Slade Lectures 2018 (4): Correggio: The Dome of Parma Cathedral |
art, drawing, painting, visual arts, italy |
David Ekserdjian |
09 May 2018 |
12 |
|
Slade Lectures 2018 (3): Raphael: The Stanza della Segnatura |
Professor David Ekserdjian gives his third Slade Lecture on Raphael’s drawings for the Stanza della Segnatura in the Vatican Palace. |
David Ekserdjian |
09 May 2018 |
13 |
|
Slade Lectures 2018 (2): Michelangelo: The Sistine Chapel Ceiling |
Professor David Ekserdjian gives his second Slade Lecture on Michelangelo’s drawings for the Sistine Chapel Ceiling. |
David Ekserdjian |
09 May 2018 |
14 |
|
Slade Lectures 2018 (1): Drawing in Italy before 1500 |
Professor David Ekserdjian gives his first Slade Lecture on Drawing in Italy before 1500. |
David Ekserdjian |
09 May 2018 |
15 |
Creative Commons |
Terra Foundation Lectures in American Art 2017: Picturing a Nation: (3) The Ashcan Goes to War: George Bellows, Belligerence, and the Rape of Belgium |
Professor David Lubin gives his third Terra Lecture in American Art on painter George Bellows. |
David M. Lubin |
28 Jun 2017 |
16 |
Creative Commons |
Terra Foundation Lectures in American Art 2017: Picturing a Nation: (2) Buried Treasure: America’s Great Book Illustrator Howard Pyle and the Silver Screen |
Professor David Lubin gives his second Terra Lecture in American Art on Howard Pyle’s illustrations of Robin Hood and pirates and their representation in movies. |
David M. Lubin |
28 Jun 2017 |
17 |
Creative Commons |
Core Course: Modernism and Post-modernism |
This lecture forms part of a series entitled "Art History: Concepts and Methods" and is for second year Undergraduate and MSt History of Art students. It was delivered at the University of Oxford History of Art Department. |
Alex J. Taylor |
29 Mar 2016 |
18 |
|
Painted by numbers: decoding Ferdinand Bauer's Flora Graeca colour code |
Lunchtime lecture by Richard Mulholland accompanying the exhibition Marks of Genius: Masterpieces from the Collections of the Bodleian Libraries. |
Richard Mullholland |
09 Jul 2015 |
19 |
|
Translation and Ekphrasis: Dante and the visual arts |
Ekphrasis finds words for paintings and other visual phenomena; translation finds words for other words. But how secure in this distinction, given that language has visual form, and that the visual arts can employ language-like elements? |
Robin Kirkpatrick, Jas Elsner, Matthew Reynolds, Andrew Klevan |
24 Feb 2015 |
20 |
|
Core Course: Artists' Names |
This lecture forms part of series entitled Introduction to the History of Art, a core course taught to the first year undergraduate History of Art students. |
Geraldine Johnson |
06 May 2014 |
21 |
Creative Commons |
Core Course: Art and Art History: Painting in China |
This lecture forms part of series entitled Introduction to the History of Art, a core course taught to the first year undergraduate History of Art students. |
Craig Clunas |
06 May 2014 |
22 |
|
The Secret Mathematicians: the connections between maths and the arts - Marcus du Sautoy |
Professor Marcus du Sautoy (New College), Charles Simonyi Chair in the Public Understanding of Science, author and broadcaster gives a talk about the connections beween art and mathematics |
Marcus du Sautoy |
15 Jan 2014 |
23 |
Creative Commons |
Slade Lectures 2010: Week 7: Transnational Surrealism: Tropiques and the role of the little magazine |
Seventh lecture in the Slade lecture series on Surrealism and Art History given by Dawn Ades, Professor of Art History and Theory at Essex University on 3rd March 2010. |
Dawn Ades |
18 Apr 2011 |
24 |
Creative Commons |
Slade Lectures 2010: Week 6: Monuments and ruins: Surrealism and archaeology in the New World |
Sixth lecture in the Slade lecture series on Surrealism and Art given by Dawn Ades, Professor of Art History and Theory at Essex University on 24th February 2010. |
Dawn Ades |
18 Apr 2011 |
25 |
Creative Commons |
Slade Lectures 2010: Week 5: Poetry, politics, and sexuality: Surrealism in Latin America |
Fifth lecture in the Slade lecture series given by Dawn Ades, Professor of Art History and Theory at Essex University in Surrealism and Art History on 17th February 2010. |
Dawn Ades |
18 Apr 2011 |
26 |
Creative Commons |
Slade Lectures 2010: Week 4: The experimental demonstration of critical paranoia: Salvador Dalí's The Tragic Myth of Millet's Angelus |
Fourth Slade lecture from Dawn Ades, Professor of Art History and Theory at Essex University, given on 10th February 2010. |
Dawn Ades |
18 Apr 2011 |
27 |
Creative Commons |
Slade Lectures 2010: Week 3: Beyond art: 'the enemy within', Georges Bataille and Documents |
Dawn Ades, Professor of Art History and Theory at Essex University, gives the third lecture in the Slade lecture series on Surrealism and Art History. |
Dawn Ades |
18 Apr 2011 |
28 |
Creative Commons |
Slade Lectures 2010: Week 2: Beyond painting: collage, objects, installations |
Dawn Ades, Professor of Art History and Theory at Essex University gives the second Slade lecture in Surrealism and Art History on 27th January 2010. |
Dawn Ades |
18 Apr 2011 |
29 |
Creative Commons |
9. Creativity |
Lesson 8. Invention! |
Stephen Farthing |
24 Mar 2011 |
30 |
Creative Commons |
8. Field Notes |
Lesson 7. Strategies for collecting information and recording ideas as an aid to memory. |
Stephen Farthing |
24 Mar 2011 |
31 |
Creative Commons |
7. With Colour |
Lesson 6. The most complex form of drawing. Starting with a pencil outline, the drawing is developed with a brush in clearly defined layers. |
Stephen Farthing |
24 Mar 2011 |
32 |
Creative Commons |
6. Measured Drawing |
Lesson 5. Making a drawing that is dependent for its success on mathematical accuracy. |
Stephen Farthing |
24 Mar 2011 |
33 |
Creative Commons |
5. Making a Livelier Drawing |
Lesson 4. Making a livelier drawing, where the line and tone have an energy because they have been applied at speed with a brush. |
Stephen Farthing |
24 Mar 2011 |
34 |
Creative Commons |
4. Toned Paper |
Lesson 3. How toned paper can be used to provide the mid-tone in a drawing, which records where light and shade fall as a means of picturing an object. |
Stephen Farthing |
24 Mar 2011 |
35 |
Creative Commons |
3. The Edge of the Pencil |
Lesson 2. We use tone, light, dark and the shades in-between to create illusions of volume and depth. |
Stephen Farthing |
24 Mar 2011 |
36 |
Creative Commons |
2. The Tip of the Pencil |
Lesson 1. We use line to define spaces and things. It is not a question of magically getting the line right first time, but of first turning a contour into a line, and then systematically correcting that line until it looks right. |
Stephen Farthing |
24 Mar 2011 |
37 |
Creative Commons |
1. Introduction to the Elements of Drawing |
Stephen Farthing R.A. presents eight practical drawing classes using John Ruskin's teaching collections to explain the basic principles of drawing. |
Stephen Farthing |
24 Mar 2011 |
38 |
|
Core Course: Modernism and Mass Culture |
This lecture forms part of series entitled Introduction to the History of Art, a core course taught to the first year undergraduate History of Art students. |
Alastair Wright |
11 Mar 2011 |
39 |
|
Acrylic Variations 5-8 |
Parts 5-8 of a short film, featuring Mark Rowan-Hull and Neil Heyde and Christopher Regate of the Royal Academy of Music. The film shows a collaborative art project of Rowan-Hull's painting and Heyde and Regate's music. Produced by Rowan-Hull and Heyde. |
Mark Rowan-Hull, Neil Heyde, Christopher Regate |
27 Jan 2010 |
40 |
|
Acrylic Variations 1-4 |
Part 1 to 4 of a short film, featuring Mark Rowan-Hull and Neil Heyde and Christopher Regate of the Royal Academy of Music. The film shows a collaborative art project of Rowan-Hull's painting and Heyde and Regate's music. Produced by Rowan-Hull and Heyde. |
Mark Rowan-Hull, Neil Heyde, Christopher Regate |
27 Jan 2010 |