1 |
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Making machines: Mary Shelley and Ada Lovelace |
Join our experts in conversation as they consider the thinking of two great 19th century women writers exploring the boundary between human and machine |
Ursula Martin, Sharon Ruston, Helen Cook |
21 Jun 2022 |
2 |
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Masterclass: the Frankenstein notebooks at the Bodleian Libraries |
An examination of the notebooks in which Mary Shelley drafted Frankenstein. These two notebooks, one purchased probably in Geneva, the second in England, are now kept in the Bodleian Library, Oxford. |
Miranda Seymour, Richard Ovenden, Stephen Hebron |
29 Jan 2019 |
3 |
Creative Commons |
Godwin and his historical context |
A discussion of the historical period in which William Godwin was writing and the social and political pressures that he was working under at the time. |
Mark Philp, David O’Shaughnessy, Ellen Sandford O'Neill |
22 Nov 2012 |
4 |
Creative Commons |
Godwin and Frankenstein |
How far did Godwin have an impact on Mary Shelley's Frankenstein (1818) and what does it tell us about how she thought about his principles, and his life. |
Mark Philp, David O’Shaughnessy, Ellen Sandford O'Neill |
22 Nov 2012 |
5 |
Creative Commons |
Godwin's life and family |
A discussion of Godwin's relationships with unconventional women; and his 'Victorian' attitudes towards his daughter, Mary Shelley and his wife, Mary Wollstonecraft. |
Mark Philp, David O’Shaughnessy, Ellen Sandford O'Neill |
22 Nov 2012 |
6 |
Creative Commons |
Introduction to William Godwin |
The first part in this series gives a biography of the writer William Godwin, exploring his background and the key points from his life. |
Mark Philp, David O’Shaughnessy, Ellen Sandford O'Neill |
22 Nov 2012 |
7 |
Creative Commons |
Mary Shelley - Journal of Sorrow |
Part of the Shelley's Ghost Exhibition. In the months immediately following Shelley's death Mary lived at Albaro on the outskirts of Genoa. Her only regular companions were her young son, Percy Florence, and the journal she began on 2 October 1822. |
Nouran Koriem |
02 Dec 2010 |
8 |
Creative Commons |
Mary Shelley - Journal of Sorrow |
Part of the Shelley's Ghost Exhibition. In the months immediately following Shelley's death Mary lived at Albaro on the outskirts of Genoa. Her only regular companions were her young son, Percy Florence, and the journal she began on 2 October 1822. |
Nouran Koriem |
02 Dec 2010 |
9 |
Creative Commons |
William Godwin- Letter to Mary Shelley |
Part of the Shelley's Ghost Exhibition. This is the letter Godwin wrote to Mary after hearing of Shelley's death. |
Hoare Nairne |
02 Dec 2010 |
10 |
Creative Commons |
William Godwin- Letter to Mary Shelley |
Part of the Shelley's Ghost Exhibition. This is the letter Godwin wrote to Mary after hearing of Shelley's death. |
Hoare Nairne |
02 Dec 2010 |
11 |
Creative Commons |
Percy Bysshe Shelley - Letter to Mary Shelley |
Part of the Shelley's Ghost Exhibition. 'Everybody is in despair and every thing in confusion' writes Shelley in his last letter to Mary. He was in Pisa to discuss a new journal, The Liberal, with Leigh Hunt and Lord Byron. |
Henry Cockburn |
02 Dec 2010 |
12 |
Creative Commons |
Percy Bysshe Shelley - Letter to Mary Shelley |
Part of the Shelley's Ghost Exhibition. 'Everybody is in despair and every thing in confusion' writes Shelley in his last letter to Mary. He was in Pisa to discuss a new journal, The Liberal, with Leigh Hunt and Lord Byron. |
Henry Cockburn |
02 Dec 2010 |
13 |
Creative Commons |
Percy Bysshe Shelley - Adonais. An Elegy on the Death of John Keats |
Part of the Shelley's Ghost Exhibition. This great elegy was prompted by the news of the death of John Keats in Rome, and by Shelley's belief that Keats's illness was caused by the hostile notices his work had been given in the Quarterly Review. |
Jordan Saxby |
02 Dec 2010 |
14 |
Creative Commons |
Percy Bysshe Shelley - Adonais. An Elegy on the Death of John Keats |
Part of the Shelley's Ghost Exhibition. This great elegy was prompted by the news of the death of John Keats in Rome, and by Shelley's belief that Keats's illness was caused by the hostile notices his work had been given in the Quarterly Review. |
Jordan Saxby |
02 Dec 2010 |
15 |
Creative Commons |
Percy Bysshe Shelley - Opening lines of 'The Triumph of Life' |
Part of the Shelley's Ghost Exhibition. Shelley worked on 'The Triumph of Life', a dark and visionary poem, while living at the Villa Magni. |
Hoare Nairne |
02 Dec 2010 |
16 |
Creative Commons |
Percy Bysshe Shelley - Opening lines of 'The Triumph of Life' |
Part of the Shelley's Ghost Exhibition. Shelley worked on 'The Triumph of Life', a dark and visionary poem, while living at the Villa Magni. |
Hoare Nairne |
02 Dec 2010 |