1 |
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Shaping legacies |
Lecture 5 of the 2023 Lyell lecture series |
Ann M Blair |
01 Jun 2023 |
2 |
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Complicating attributions |
Lecture 4 of the 2023 Lyell lecture series |
Ann M Blair |
01 Jun 2023 |
3 |
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‘L’ecriture Anglaise Dans Sa Perfection’ |
Professor Marc Smith, Professeur de Paléographie, The Ecole Nationale des Chartes, Paris delivers the 5th lecture in this years Lyell Lecture series |
Marc Smith |
09 May 2022 |
4 |
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Singing together; apart: drama and medieval chant |
As both audience members and actors, you will learn to sing the classic Easter sequence hymn 'Victimae paschali laudes' ('Praises to the paschal victim') and see how it formed part of a medieval play. |
Henrike Lähnemann, Andrew Dunning, Zachary Guiliano, Nick Swarbrick |
17 Jun 2021 |
5 |
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Meet the Manuscripts: hidden treasures of medieval illumination |
Matthew Holford, Tolkien Curator of Medieval Manuscripts, and Martin Kauffmann, Head of Early and Rare Collections, in conversation about the artists, patrons and significance of three extraordinary manuscripts. |
Martin Kauffmann, Matthew Holford |
28 May 2021 |
6 |
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The Golden Age of French Writing Masters? |
Professor Marc Smith, Professeur de Paléographie, The Ecole Nationale des Chartes, Paris delivers the 4th lecture in this years Lyell Lecture series |
Marc Smith |
09 Oct 2020 |
7 |
|
Renaissance Calligraphy from Pen to Press and Back |
Professor Marc Smith, Professeur de Paléographie, The Ecole Nationale des Chartes, Paris delivers the 3rd lecture in this years Lyell Lecture series |
Marc Smith |
06 Oct 2020 |
8 |
Creative Commons |
The Bodleian First Folio: A Story of Digital Engagement |
This talk presents an overview of the 2012 campaign that took up the story of the Bodleian First Folio (a copy of Shakespeare’s First Folio), the collaboration that made it possible, its outreach activity, and its future. |
Pip Wilcox |
01 Apr 2014 |
9 |
Creative Commons |
Crowdsourcing Community Collections: The Oxford Community Collection Model |
In this presentation Kate Lindsay introduces the Oxford Community Collection Model, part of the Community Collections and Crowdsourcing Service based at the University of Oxford. |
Kate Lindsay |
01 Apr 2014 |
10 |
Creative Commons |
Digital Humanities Research Support and Training in Oxford |
James surveys the kinds of support provided for digital humanities by the University of Oxford for those inside and outside the University. |
James Cummings |
01 Apr 2014 |
11 |
Creative Commons |
Crowdsourcing in the Arts and Interdisciplinarity |
Kathryn Eccles talks about her research around the virtual art collection Your Paintings, and talk about what interdisciplinary insights can be gleaned from crowdsourcing platforms such as Your Paintings Tagger. |
Kathryn Eccles |
01 Apr 2014 |
12 |
Creative Commons |
Poetry Visualisation on the Web |
Alfie presents an example of how existing web tools can be used to create a visualization application for poetry. |
Alfie Abdul-Rahman |
01 Apr 2014 |
13 |
Creative Commons |
Launch of Crowd Map The Crusades |
Pat presents Crowd Map The Crusades, a proof-of-concept transcription and mapping project, which is affiliated with the ‘Promoting Interdisciplinary Engagment in the Digital Humanities’ (dhAHRC) project and hosted at www.dhcrowdscribe.com. |
Patrick Lockley |
01 Apr 2014 |
14 |
Creative Commons |
Introduction to dhAHRC and Launch of Crowd Map The Crusades |
Emma introduces the series and Crowd Map The Crusades, a proof-of-concept transcription and mapping project, which is affiliated with the ‘Promoting Interdisciplinary Engagment in the Digital Humanities’ (dhAHRC) and hosted at www.dhcrowdscribe.com. |
Emma Goodwin |
01 Apr 2014 |